{"title":"枪支和治理:规范的男子气概和有纪律的枪支暴力","authors":"J. A. Joyce","doi":"10.7228/manchester/9781526126160.003.0006","DOIUrl":null,"url":null,"abstract":"This chapter explores the language of normativity and its interaction with the Western and the discourse of law. Through close readings of cinematic texts like Shane (1952), The Man Who Shot Liberty Valance (1962), and The Shootist (1976) the Western genre is read here to represent what Barbara Cruickshank has called a \"technology of citizenship.\" This chapter argues that the Western gunslinger's masculinity works to discipline, to tame, the potential for radically disruptive personal violence inherent in the liberties of American self-defense doctrine.","PeriodicalId":171198,"journal":{"name":"Gunslinging justice","volume":"41 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Guns and governmentality: normative masculinity and disciplined gun violence\",\"authors\":\"J. A. Joyce\",\"doi\":\"10.7228/manchester/9781526126160.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the language of normativity and its interaction with the Western and the discourse of law. Through close readings of cinematic texts like Shane (1952), The Man Who Shot Liberty Valance (1962), and The Shootist (1976) the Western genre is read here to represent what Barbara Cruickshank has called a \\\"technology of citizenship.\\\" This chapter argues that the Western gunslinger's masculinity works to discipline, to tame, the potential for radically disruptive personal violence inherent in the liberties of American self-defense doctrine.\",\"PeriodicalId\":171198,\"journal\":{\"name\":\"Gunslinging justice\",\"volume\":\"41 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gunslinging justice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7228/manchester/9781526126160.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gunslinging justice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7228/manchester/9781526126160.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Guns and governmentality: normative masculinity and disciplined gun violence
This chapter explores the language of normativity and its interaction with the Western and the discourse of law. Through close readings of cinematic texts like Shane (1952), The Man Who Shot Liberty Valance (1962), and The Shootist (1976) the Western genre is read here to represent what Barbara Cruickshank has called a "technology of citizenship." This chapter argues that the Western gunslinger's masculinity works to discipline, to tame, the potential for radically disruptive personal violence inherent in the liberties of American self-defense doctrine.
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