剧作家与冲突解决:艾哈迈德·耶里玛《天使》的批判视角

C. Idegwu
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摘要

本文探讨了冲突的概念,它的原因,影响以及如何在人际关系中尽量减少冲突。它采用艾哈迈德·耶里玛的《天使》作为其锚或说明性文本。调查的理论是社会学理论,它解释了艺术与社会的关系,以及艺术如何重新定义一个失去轨道的世界。调查发现,自私、贪婪、不正当和不必要的或不健康的竞争造成了兄弟姐妹和社会成员之间的不和。这些事情造成不和,破坏了家族血统,并继续摧毁每个人。这也表明,幸存者,如果有的话,集中精力,如何最大化自私的利益,而不是沉思生命的巨大浪费,以及其他事情。这确实令人沮丧。本文解决或确立,尽管冲突在所有社会中普遍存在,但兄弟姐妹和人类一般可以将其减少到最低限度。这是有可能的,如果他们拒绝让贪婪和贪婪,通常蒙蔽人类的理性意识压倒他们。这一点必须在家庭、家庭和童年中明确表达,以避免儿童在成长过程中带有自我膨胀的意图,这仍然不利于我们的集体福祉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Playwright and Conflict Resolution: A Critical Perspective on Ahmed Yerima’s The Angel
This article examines the concept of conflict, its causes, effects and how to minimize it in human relationship. It employs Ahmed Yerima’s The Angel as its anchor or illustrative text. The theory for the investigation is sociological theory which explicates the relationship between art and society and how art redefines a world that has lost its track. The inquiry discovers that selfishness, greed, undue and unnecessary or unhealthy competition create dissension among siblings and members of the society. These things create discord which undermines family bloodline, and goes on to destroy everyone. It also shows that, the survivors, if there be any, concentrate, on how to maximize the moment for selfish gains rather than brooding over the monumental waste of lives, among other things. This indeed is disheartening. This paper resolves or establishes that, though conflict is prevalent in all societies, siblings and human beings in general could minimize it to the barest minimum. This is possible if they refuse to allow greed and avarices that usually becloud human sense of reasoning to overwhelm them. This must be articulated in families, homes and in childhood in order to avoid children growing up with the intent for self–aggrandizement which remains inimical to our collective wellbeing.
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