工程课堂中的芭蕾模式–什么有用,什么没用,什么是新的

B. London, L. Deyo
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引用次数: 4

摘要

六门不同的工程课程在组织、教学方法和学习策略方面采用了古典芭蕾教学模式。他们非常注重表现。这些课程涵盖了大二到大四的学生。芭蕾舞模式的一些方面效果很好:为学习设定神圣空间的规则,开始活动(“伸展”),课堂的整体组织,传达已知的理想,包括历史背景,以及使用示范。有些方面没有发挥作用(到目前为止):考试还没有在舞台上表演,很少有练习或排练,学生之间很少有竞争,在课堂上问学生问题不舒服,许多学生不想在课堂上。提出的新观点包括为考试“选角”和强调重复在学习中的作用。人们认为,在工程课上应用表演艺术模式来促进学习是值得的
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ballet Model in Engineering Classes – What Works, What Doesn’t, and What’s New
Six different engineering courses were taught using aspects of the classical ballet instruction model in organization, teaching methods, and learning strategies. There was a strong focus on performance. The courses spanned sophomore to senior levels. Some aspects of the ballet model worked well: setting rules for the Sacred Space for learning, the beginning activity ("stretch"), the overall organization of the class session, communicating the known ideal, including historical background, and using demonstrations. Some aspects did not work (thus far): exams are not yet performances on stage, little practice or rehearsal occurs, little competition between students occurs, asking students questions in class is uncomfortable, and many students do not want to be in class. New ideas presented include "casting" for exams and highlighting the role of repetition in learning. It was deemed worthwhile to apply the performing arts model to foster increased learning during engineering class
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