对邪教幸存者提供治疗性创造性艺术干预的思考:集体传记

Ailsa Parsons, Maria Kefalogianni, Linda Dubrow‐Marshall, R. Turner, Hailee Ingleton, Joanna Omylinska‐Thurston, S. Thurston, V. Karkou
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引用次数: 0

摘要

一种新的、基于证据的、多模式的、创造性的心理疗法——“蓝调艺术”,在一个会议环境下的研讨会上,在邪教虐待的幸存者中进行了试点。在讲习班和研究项目中担任不同角色和观点的五名主持人反映了他们向邪教幸存者介绍这种新颖干预措施的经验。在这个鲜为人知的领域,作者对那些遭受邪教虐待的幸存者使用结构化的、以艺术为基础的心理治疗,作者使用了一个集体传记的过程,以这些反思为基础,汇编了一个第一人称的综合叙事。这种方法允许对动态和遇到的障碍以及促进者的反移情反应进行本能的洞察。这一反身性的过程为研究和实践的各个方面带来了光明,而这些方面以前并不是每个研究人员都能看到的,这对邪教幸存者领域的研究伦理、心理治疗和创造性艺术都有影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflections on Offering a Therapeutic Creative Arts Intervention With Cult Survivors: A Collective Biography
A new, evidence-based, multimodal, and creative psychological therapy, Arts for the Blues, was piloted with survivors of cultic abuse in a workshop within a conference setting. The five facilitators, who occupied diverse roles and perspectives within the workshop and research project, reflected on their experiences of introducing this novel intervention to the cult-survivor population. In this underreported territory of using structured, arts-based, psychological therapy with those who have survived cultic abuse, the authors used a process of collective biography to compile a firstperson, combined narrative based on those reflections. This approach allows for a visceral insight into the dynamics and obstacles encountered, and the countertransference responses of the facilitators. This reflexive process shined a light into aspects of research and practice that were not all visible to the individual researchers previously, with implications for research ethics, psychological therapy, and creative arts within the cult-survivor field.
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