一种融合多种音乐表示的语义音乐标注层次关注深度神经网络模型

Qianqian Wang, Feng Su, Yuyang Wang
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引用次数: 6

摘要

为一个音乐作品自动分配一组合适的语义标签,为人们有效地利用海量且不断增长的在线和离线音乐数据提供了一种有效的方法。在本文中,我们提出了一种新的基于内容的自动音乐注释模型,该模型分层地结合了关注卷积网络和循环网络,用于音乐表示学习、结构建模和标签预测。该模型首先利用由多个门通线性单元(glu)组成的两个独立的关注卷积网络,从音乐的一维原始波形信号和二维梅尔谱图中学习有效的表示,这比利用任何单一的表示通道更好地捕获音乐的信息特征。该模型利用双向长短期记忆(LSTM)网络来描述音乐描述序列中嵌入的时变结构,并进一步引入双状态LSTM网络来编码两个表示通道之间的时间相关性,从而有效地丰富了音乐的描述。最后,该模型利用自关注的多权重机制自适应地聚合每个时间步生成的音乐描述,用于音乐标签预测。该模型在公开的MagnaTagATune音乐数据集上取得了最先进的结果,证明了其在音乐标注上的有效性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Hierarchical Attentive Deep Neural Network Model for Semantic Music Annotation Integrating Multiple Music Representations
Automatically assigning a group of appropriate semantic tags to one music piece provides an effective way for people to efficiently utilize the massive and ever increasing on-line and off-line music data. In this paper, we propose a novel content-based automatic music annotation model that hierarchically combines attentive convolutional networks and recurrent networks for music representation learning, structure modelling and tag prediction. The model first exploits two separate attentive convolutional networks composed of multiple gated linear units (GLUs) to learn effective representations from both 1-D raw waveform signals and 2-D Mel-spectrogram of the music, which better captures informative features of the music for the annotation task than exploiting any single representation channel. The model then exploits bidirectional Long Short-Term Memory (LSTM) networks to depict the time-varying structures embedded in the description sequences of the music, and further introduces a dual-state LSTM network to encode temporal correlations between two representation channels, which effectively enriches the descriptions of the music. Finally, the model adaptively aggregates music descriptions generated at every time step with a self-attentive multi-weighting mechanism for music tag prediction. The proposed model achieves state-of-the-art results on the public MagnaTagATune music dataset, demonstrating its effectiveness on music annotation.
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