M. Jaworski
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引用次数: 0

摘要

本文的目的是展示卡尔·古斯塔夫·荣格和费多尔·陀思妥耶夫斯基作品之间的相互关系,特别强调影子的原型。本文对上述原型进行了分析和表征,以期从精神分析的角度解读小说《罪与罚》。对这类作品在结构和情节层面进行了分析。因此,本文的作者试图解释《罪与罚》主要角色的功能,并将他们划分为与荣格原型相关的三位一体。这一研究为进一步探索陀思妥耶夫斯基作品中的荣格痕迹提供了动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Archetyp „cienia” w strukturze powieści „Zbrodnia i kara” Fiodora Dostojewskiego
The aim of the article is to show the interrelations between the works of Carl Gustav Jung and Fyodor Dostoyevsky with particular emphasis on the archetype  of  shadow . The aforementioned archetype has been analyzed and characterized in the paper in order to interpret the novel  Crime and Punishment  in the psychoanalytical key. This category has been analyzed at the level of the structure and plot of the work. Consequently, the author of the present article attempts to interpret the functions of the main characters of  Crime and Punishment  and divides them into triads related to relevant Jungian archetypes. The research amounts to an incentive to further explore the Jungian traces in the works of Fyodor Dostoyevsky.
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