Abdul R. JanMohamed

Abdul R. JanMohamed (b. 1945) has made a seminal contribution to postcolonial and black studies since the early 1980s. JanMohamed was born and raised in Kenya and educated in Britain and the United States, receiving his PhD from Brandeis University. Since 1982 he has taught in the English Department of the University of California, Berkeley, and has also been Longstreet Professor of English at Emory University. He developed a body of Marxian-psychoanalytical criticism based on Marx, Foucault, Fanon, and Freud. Most of his important publications came out in the 1980s and 1990s, although he is continuing to write and diversify into other areas of postcolonial criticism like Subaltern and Dalit literature. In the 1980s JanMohamed started with analysis of the psychopolitical structures of colonial and African English novels written by Joyce Cary, Isak Dinesen, Nadine Gordimer, Chinua Achebe, Alex La Guma, and Ngugi wa Thiong’o. In the next phase of his writings, he critiqued the African American slave autobiography of abolitionist Frederick Douglass and the novels of Richard Wright, which now constitute an ideological reference for all future criticism on the literature of colonized and marginalized peoples. His most important single-author publications include Manichean Aesthetics: The Politics of Literature in Colonial Africa (1983) for which he was awarded the Choice book of the year award in 1984. The other crucial read is The Death-Bound-Subject: Richard Wright’s Archaeology of Death (2005) about which Rolland Murray insightfully commented in the journal Novel: A Forum on Fiction (Murray 2006, cited under Book Reviews) that “Should African American studies continue in its pursuit of rendering the vagaries of death intellectually legible, the field should turn to this book as one of its signal events” (Exquisite Corpus, p. 302). JanMohamed considers racial lynching as the most fundamental mode of coercion. In his work on African American Literature, he develops a reflexive Marxian-phenomenological approach through which he deconstructs the feelings of marginalized protagonists who, faced with the threat of death by lynching, begin to contemplate the effects of that threat on their subjectivities. He suggests that the threat of death activates the death drive like a negative dialectic in subjects irremediably trapped between two cultures. In 1985, along with Donna Przybylowicz, he founded and edited the journal Cultural Critique, which at the time offered one of the very few venues for the theorization of postcolonial and American minority discourses. His recent works involve psychoanalytical studies of Dalit narratives of the Indian subcontinent. JanMohamed’s critical oeuvre has been acclaimed and translated into other Asian languages.