城市中心的干预:关于肤色(非)整合的问题

C. Guimarães
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摘要

这项工作的目的是对乌贝巴市历史中心最近采取的干预行动提出一个批判性的观点,乌贝巴市是巴西米纳斯吉拉斯州农村的一个中型城市。城市的中心地区由一系列折衷主义时期的建筑组成,这些建筑与城市主要广场Rui Barbosa广场周围的现代建筑共享空间。随着时间的推移,这个广场经历了几次变化,突出了该地区遗产景观建设的弱点,这支持了集体记忆。也就是说,我们对该地区进行的当代改造很感兴趣,这与市场逻辑和清理历史建筑立面的规定有关,例如从商店移除广告牌。这些改革为该地区引入了新的颜色,提出了关于颜色定义标准(或缺乏标准)的问题。在没有调查或适当修复技术的情况下,使用强烈的色彩会在城市景观中产生噪音。从这个意义上说,我们可以问自己,公共当局在促进遗产建设方面的进步是否会导致城市环境的平庸化趋势。具体而言,在本文中,我们将侧重于从色彩方面分析城市历史兴趣集的琐细化过程,使用比较分析,并使用结构分析关键,以发展对Uberaba文化遗产的初步批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interventions in urban centers: questions about chromatic (dis)integration
This work aims to launch a critical perspective on the intervention actions undertaken lately in the historic center of the city of Uberaba – a medium size city in the countryside of the state Minas Gerais, Brazil. The central region of the city is made up of a set of buildings from the eclectic period that share space with modern buildings around the city's main square – Rui Barbosa Square. This square underwent several changes over time, highlighting the weaknesses in the construction of a heritage landscape in this territory, which supports collective memory. That said, we are interested in the contemporary transformations carried out in this region, which are related to both the market logic and the regulations regarding the clearing up the facades of historic buildings, such as the removal of advertising boards from stores. These reforms introduced new colors to the region, raising questions about the criteria (or lack thereof) for chromatic definition. The appeal to the use of strong colors without surveys or appropriate restoration techniques generates noise in the urban landscape. In this sense, we can ask ourselves if the advance in the promotion of heritage built by the public authorities can result in a tendency to trivialize the urban set. Specifically in this text, we will focus on the analysis of trivialization processes in urban sets of historical interest from the chromatic aspect, using comparative analyses, with structure analysis keys for the development of an initial critique of the cultural heritage in Uberaba. 
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