“流行音乐教育中的女孩和妇女”

P. Campbell
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引用次数: 0

摘要

客座编辑Patricia Shehan Campbell介绍了本期流行音乐教育杂志的特刊,重点是“流行音乐教育中的女孩和妇女”。坎贝尔简要地设定了场景,阐明了一些迫切需要给予流行音乐中的女性更多的关注——无论是在流行音乐教育中还是在流行音乐教育中。坎贝尔介绍了本期特刊中每位作者的文章,概述了每个案例的主旨和关键点。她介绍了克莱尔·安德森关于奇观的文章;Lloyd McArton关于多伦多独立音乐人的论文;克莱顿·达姆(Clayton Dahm)对马里音乐家Oumou sangar的描写;Kelsey Guo和Mari Shiobara关于邓丽君持久魅力的文章;J. Michael Kohfeld关于LGBTQ+在大学音乐课程中的表现的文章;Carol Shansky关于著名口琴演奏家的文章;艾比·肯尼对爱尔兰非洲移民dj的研究以及朱莉安娜·坎塔雷利·维塔关于巴西合奏的论文《Dita Curva》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Girls and Women in Popular Music Education’
Guest Editor Patricia Shehan Campbell introduces this Special Issue of the Journal of Popular Music Education focusing on ‘Girls and Women in Popular Music Education’. Campbell briefly sets the scene, articulating something of the urgency of the need to pay more and long overdue attention to women in popular music – both in and for popular music education. Campbell introduces articles by each of the authors featured in this Special Issue, outlining the thrust and key points in each case. She introduces Claire Anderson’s article on spectaculars; Lloyd McArton’s paper on Toronto indie musicians; Clayton Dahm’s writing on Malian musician Oumou Sangaré; Kelsey Guo and Mari Shiobara’s piece about the enduring appeal of Teresa Teng; J. Michael Kohfeld’s article about LGBTQ+ representation in college music curricula; Carol Shansky’s article on well-known harmonica players; Ailbhe Kenny’s study of African migrant DJs in Ireland; and Juliana Cantarelli Vita’s paper about the Brazilian ensemble, Dita Curva.
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