单声道在日本美学中没有意识概念

Dragan Ćalović
{"title":"单声道在日本美学中没有意识概念","authors":"Dragan Ćalović","doi":"10.2298/theo2203121c","DOIUrl":null,"url":null,"abstract":"Although, until the nineteenth century, we could not find in Japanese thought\n an approach that would be considered a counterpart to Western aesthetics, in\n art and cultural practice, nuanced interpretations of aesthetic experiences\n have been developed, such as wabi sabi, mono no aware and ma. The term mono\n no aware refers to impermanent, that is, transient beauty, ie. her\n experience that does not arise on the basis of current sensory experience.\n This concept should be understood as an aesthetic experience that accepts\n the beauty of transience, although transience itself cannot be considered\n beautiful. Mono no aware, is not the emotional response to the rational\n judgment of transience, but the feeling that permeates us when we become\n aware of sensory experience with the knowledge of transience. This, however,\n is not about any sensory experience, but only one in which we find beauty.\n Hence, the concept of mono no aware remains inseparable from the experience\n of the beautiful, but it is not equated with it.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"106 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mono no aware concept in Japanese aesthetics\",\"authors\":\"Dragan Ćalović\",\"doi\":\"10.2298/theo2203121c\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Although, until the nineteenth century, we could not find in Japanese thought\\n an approach that would be considered a counterpart to Western aesthetics, in\\n art and cultural practice, nuanced interpretations of aesthetic experiences\\n have been developed, such as wabi sabi, mono no aware and ma. The term mono\\n no aware refers to impermanent, that is, transient beauty, ie. her\\n experience that does not arise on the basis of current sensory experience.\\n This concept should be understood as an aesthetic experience that accepts\\n the beauty of transience, although transience itself cannot be considered\\n beautiful. Mono no aware, is not the emotional response to the rational\\n judgment of transience, but the feeling that permeates us when we become\\n aware of sensory experience with the knowledge of transience. This, however,\\n is not about any sensory experience, but only one in which we find beauty.\\n Hence, the concept of mono no aware remains inseparable from the experience\\n of the beautiful, but it is not equated with it.\",\"PeriodicalId\":374875,\"journal\":{\"name\":\"Theoria, Beograd\",\"volume\":\"106 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theoria, Beograd\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/theo2203121c\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/theo2203121c","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

尽管直到19世纪,我们都无法在日本的思想中找到一种被认为与西方美学相对应的方法,但在艺术和文化实践中,对审美体验的微妙解释已经发展起来,比如侘寂(侘寂)、单一性意识(mono no aware)和ma。“无觉”一词指的是无常,即短暂的美。她的经验不是在当前感官经验的基础上产生的。这个概念应该被理解为一种接受短暂之美的审美体验,尽管短暂本身不能被认为是美的。单一性意识,不是对短暂性的理性判断的情感反应,而是当我们意识到具有短暂性知识的感官体验时渗透到我们身上的感觉。然而,这不是关于任何感官体验,而只是我们在其中发现美的体验。因此,单一性意识的概念仍然与美的经验密不可分,但它并不等同于美的经验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mono no aware concept in Japanese aesthetics
Although, until the nineteenth century, we could not find in Japanese thought an approach that would be considered a counterpart to Western aesthetics, in art and cultural practice, nuanced interpretations of aesthetic experiences have been developed, such as wabi sabi, mono no aware and ma. The term mono no aware refers to impermanent, that is, transient beauty, ie. her experience that does not arise on the basis of current sensory experience. This concept should be understood as an aesthetic experience that accepts the beauty of transience, although transience itself cannot be considered beautiful. Mono no aware, is not the emotional response to the rational judgment of transience, but the feeling that permeates us when we become aware of sensory experience with the knowledge of transience. This, however, is not about any sensory experience, but only one in which we find beauty. Hence, the concept of mono no aware remains inseparable from the experience of the beautiful, but it is not equated with it.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信