{"title":"地形:舞蹈电影中自我与澳大利亚内陆景观的对话","authors":"Sonia York-Pryce","doi":"10.1386/dmas_00034_1","DOIUrl":null,"url":null,"abstract":"This article examines the connections between embodied and somatic spirituality that are revealed in the making of the dancefilm Terrain: Dancing on Stolen Land, filmed and performed by the author on Maiawali and Karuwali Country, known as the Channel Country, in the Diamantina National Park in outback Australia. Through a phenomenological approach, the author investigates her responses to the vast Australian outback. Using the language of responsive dance captured on film and in text, she discusses place, site-specific performance, invisibility, listening and cultural mindfulness, as experienced through improvisational performances on a contested landscape. On this ancient terrain, she pays her respect and acknowledgement to the traditional owners of this unceded land, past, present and emerging.\n \n https://vimeo.com/745881539\n","PeriodicalId":381091,"journal":{"name":"Dance, Movement & Spiritualities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Terrain: A conversation in dancefilm between self and the Australian outback landscape\",\"authors\":\"Sonia York-Pryce\",\"doi\":\"10.1386/dmas_00034_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the connections between embodied and somatic spirituality that are revealed in the making of the dancefilm Terrain: Dancing on Stolen Land, filmed and performed by the author on Maiawali and Karuwali Country, known as the Channel Country, in the Diamantina National Park in outback Australia. Through a phenomenological approach, the author investigates her responses to the vast Australian outback. Using the language of responsive dance captured on film and in text, she discusses place, site-specific performance, invisibility, listening and cultural mindfulness, as experienced through improvisational performances on a contested landscape. On this ancient terrain, she pays her respect and acknowledgement to the traditional owners of this unceded land, past, present and emerging.\\n \\n https://vimeo.com/745881539\\n\",\"PeriodicalId\":381091,\"journal\":{\"name\":\"Dance, Movement & Spiritualities\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dance, Movement & Spiritualities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/dmas_00034_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dance, Movement & Spiritualities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/dmas_00034_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Terrain: A conversation in dancefilm between self and the Australian outback landscape
This article examines the connections between embodied and somatic spirituality that are revealed in the making of the dancefilm Terrain: Dancing on Stolen Land, filmed and performed by the author on Maiawali and Karuwali Country, known as the Channel Country, in the Diamantina National Park in outback Australia. Through a phenomenological approach, the author investigates her responses to the vast Australian outback. Using the language of responsive dance captured on film and in text, she discusses place, site-specific performance, invisibility, listening and cultural mindfulness, as experienced through improvisational performances on a contested landscape. On this ancient terrain, she pays her respect and acknowledgement to the traditional owners of this unceded land, past, present and emerging.
https://vimeo.com/745881539