文学话语作为“语言作为精神之家”的认知对话

Yu. V. Mironova, T. I. Sokolskaya
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引用次数: 1

摘要

本文通过“文本的内在生命”这一棱镜来审视文学话语的多样性,并将其视为语言“生命与力量”中的对话。作为跨学科科学研究的对象,文学话语被认为是一种复杂的元语言现象,它具有内在的对话性,能够产生现代人生活和行为的某种现实。在“话语-语言-语言人格”三位一体中,中间标记被视为“存在之家”(M. Heidegger),“民族精神”(W. Humboldt),它允许理解站在现代诗人创造力背后的闪烁思想。本文将文本空间的语言动态作为理解文本“生命与力量”的可能方法之一,有助于客观地呈现“语言为精神之家”的观念和现代诗歌的精神性。本文的目的是将文学艺术作品的话语作为一种“语言作为精神之家”的认知对话来研究,揭示“文本之魂”中“精神”的动态。应该强调的是,文学话语的多维性为研究文学文本提供了几个层次:第一层次:“文本与现实”;第二层次:“文本与语言”;第三层次:“作者与文本”;第四层次:“读者与文本”。本研究是在对塔玛拉·索科尔斯卡娅的诗文《鸢尾花》和《诗意的阿里奥佐》进行分析的基础上进行的。G #高频# E”。本文所采用的方法包括对语篇空间的语言动态的建模与解释、对语篇“生命与力量”的对比与协同分析以及概念分析方法。研究结果包括以下结果:1。1 .文学话语具有多维性和表达思想的多样性,这使文学话语有别于其他类型的话语;文学话语的这种多维性揭示了文本作者精神生活的复杂性。文本单元动态中的协同作用,体现了现代诗歌存在于不同意识层面的精神内涵。文学话语是人的精神能量的物质实现。文学话语应该被看作是一场关于“语言是精神之家”的认知对话,它揭示了作者的“精神辩证法”和文本的“生命与力量”的动态,这是一种多元文化的语言代码,代表着民族的精神能量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary Discourse as a Cognitive Dialogue About «Language as the House of Spirit»
The article is focused on the diversity of literary discourse which is viewed through the prism of “the internal life of the text” and is considered as a dialogue within “the life and power” of the language. As an object of interdisciplinary scientific research literary discourse is perceived as a complex metalinguistic phenomenon, which is inherently dialogic in its character and able to generate certain reality in which modern human beings live and act. In the triad “discourse – language – language personality” the median marker is viewed as “the house of being” (M. Heidegger), “the spirit of the nation” (W. Humboldt), which allows for the understanding of flickering ideas standing behind the creativity of a modern poet.This paper provides the interpretation of the linguistic dynamics of textual space as one of the possible methods of understanding “the life and power” of the text, which helps to objectively represent the notion of “language as the house of spirit” and the spirituality of modern poetry.The purpose of the article is to study the discourse of a literary work of art as a cognitive dialogue about “language as the house of spirit” and reveal the dynamics of “the spirit” within “the soul of the text”. It should be underlined that the multidimensional character of literary discourse provides for several levels in studying a literary text:Level 1: “the text and the reality”;Level 2: “the text and the language”;Level 3: “the author and the text”;Level 4: “the reader and the text”.The research is based on the analysis of the poetic essays by Tamara Sokolskaya – “The Honesuckle” and “Poetic Ariozo. G#HF#E”.The methods employed in the paper include modeling and interpretation of the linguistic dynamics of the textual space, contrastive and synergetic analysis of the “life and power” of the text and the method of conceptual analysis.The findings of the research comprise the following the results:1. Literary discourse is specific in its multidimensional character and the variety of expressed ideas, which sets it apart from other types of discourse;2. This multidimensional character of literary discourse reveals the complexity of the spiritual life of the author of the text.3. The synergy in the dynamics of textual units demonstrates spiritual content of modern poetry which exists at different levels of consciousness.4. Literary discourse serves as the material realization of the spiritual energy of a person.5. Literary discourse should be viewed as a cognitive dialogue about “language as the house of spirit” which reveals “the dialectic of the spirit” of the author and the dynamics of “the life and power” of the text as a multicultural language code representing the spiritual energy of the nation.
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