{"title":"Kālaviphalāny astrāṇi the santu: Mahābhārata中描述的Karṇa失败的故事时间","authors":"Roberto Morales-Harley","doi":"10.23993/store.126768","DOIUrl":null,"url":null,"abstract":"The paper focuses on three sets of events relating to Karṇa’s defeat in the Mahābhārata: the weapons exchange (MBh. 3.284–294), the chariot ride (MBh. 8.26–69), and the two curses (MBh. 12.2–5). From a narratological perspective, it analyzes them in terms of story-time (the narrative timing of the events in the story). With this literary approach to Karṇa’s character, its goal is to support the claims of consciously designed Mahābhārata, one of whose authorial techniques would precisely be time management.","PeriodicalId":178307,"journal":{"name":"Studia Orientalia Electronica","volume":"125 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Kālaviphalāny astrāṇi te santu: Story-time in Karṇa’s defeat as depicted in the Mahābhārata\",\"authors\":\"Roberto Morales-Harley\",\"doi\":\"10.23993/store.126768\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper focuses on three sets of events relating to Karṇa’s defeat in the Mahābhārata: the weapons exchange (MBh. 3.284–294), the chariot ride (MBh. 8.26–69), and the two curses (MBh. 12.2–5). From a narratological perspective, it analyzes them in terms of story-time (the narrative timing of the events in the story). With this literary approach to Karṇa’s character, its goal is to support the claims of consciously designed Mahābhārata, one of whose authorial techniques would precisely be time management.\",\"PeriodicalId\":178307,\"journal\":{\"name\":\"Studia Orientalia Electronica\",\"volume\":\"125 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Orientalia Electronica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23993/store.126768\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Orientalia Electronica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23993/store.126768","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Kālaviphalāny astrāṇi te santu: Story-time in Karṇa’s defeat as depicted in the Mahābhārata
The paper focuses on three sets of events relating to Karṇa’s defeat in the Mahābhārata: the weapons exchange (MBh. 3.284–294), the chariot ride (MBh. 8.26–69), and the two curses (MBh. 12.2–5). From a narratological perspective, it analyzes them in terms of story-time (the narrative timing of the events in the story). With this literary approach to Karṇa’s character, its goal is to support the claims of consciously designed Mahābhārata, one of whose authorial techniques would precisely be time management.
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