爱森斯坦导演电影诗学中的音乐

Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Pub Date : 2020-09-07 DOI:10.2991/assehr.k.200907.059

Natalya Vinokurova

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引用次数: 0

摘要

本文探讨了音乐在爱森斯坦电影诗学中的语义功能。爱森斯坦不仅在实践中实现了电影的音乐成分，而且在众多理论著作中对其进行了概念化。这种理论与实践的结合，成为本文作者科学观察和结论的基础。本文主要探讨爱森斯坦电影艺术手段体系中的几个问题:音乐术语问题、视觉与听觉图像的管弦乐对位技巧问题、音乐类型与电影序列内容类型的对应关系问题。

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Music in the Poetics of the Films Directed by S.M. Eisenstein

The article discusses the semantic function of music in the poetics of the films directed by S.M. Eisenstein. Not only did S. Eisenstein implement the musical component of films in practice, but he also conceptualized it in numerous theoretical works. This combination of theory and practice has become the basis for the scientific observations and conclusions of the author in the present article. The article focuses on the following issues within the system of the artistic means of S. Eisenstein’s films: the issues of musical terminology, the technique of the orchestral counterpoint of visual and auditory images, the correspondence of the genres of music and content types in film sequences.

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Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)

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