{"title":"保加利亚语、俄语和乌克兰语电影术语:术语单位的起源和概念结构","authors":"R. Stoyanova","doi":"10.2991/assehr.k.200907.056","DOIUrl":null,"url":null,"abstract":"This article presents observations on the modern Bulgarian, Russian and Ukrainian film terminology as an art form. Special attention is paid to the phenomena of migration and borrowing of terms as methods of the discipline-specific vocabulary replenishment. The structural design of terminological units related to cinematography e is also considered.","PeriodicalId":311554,"journal":{"name":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bulgarian, Russian and Ukrainian Terminology in Cinematography: Origin and Conceptual Structure of Terminological Units\",\"authors\":\"R. Stoyanova\",\"doi\":\"10.2991/assehr.k.200907.056\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents observations on the modern Bulgarian, Russian and Ukrainian film terminology as an art form. Special attention is paid to the phenomena of migration and borrowing of terms as methods of the discipline-specific vocabulary replenishment. The structural design of terminological units related to cinematography e is also considered.\",\"PeriodicalId\":311554,\"journal\":{\"name\":\"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2991/assehr.k.200907.056\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/assehr.k.200907.056","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Bulgarian, Russian and Ukrainian Terminology in Cinematography: Origin and Conceptual Structure of Terminological Units
This article presents observations on the modern Bulgarian, Russian and Ukrainian film terminology as an art form. Special attention is paid to the phenomena of migration and borrowing of terms as methods of the discipline-specific vocabulary replenishment. The structural design of terminological units related to cinematography e is also considered.