无翼天使:近代早期荷马的权威历史与美学渊源

Tomas Riklius
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引用次数: 0

摘要

本文讨论了费德里科·博罗梅奥的《神圣图画》中对荷马的不同寻常的引用,其中荷马被引用为权威的美学和历史来源,以证明米开朗基罗对无翼天使的描绘是合理的。据说这位伟大的希腊诗人描绘了没有翅膀的众神,仿佛他们的脚连在一起就可以移动。本文的第一部分考察了这一相对模糊的评论及其可能的来源。这样引用的原因之一是文艺复兴时期对古典文本的普遍态度,提供一个历史的视角,建立一个权威的论证。然而,更仔细的分析表明,博罗梅奥提到荷马不仅仅是美学和历史,而是上帝启示智慧的准神学来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wingless Angels: Homer as an Authoritative Historical and Aesthetic Source in Early Modern Period
This paper discusses the unusual reference to Homer in Federico Borromeo’s De pictura sacra in which Homer is quoted as an authoritative aesthetic and historical source to justify the depiction of wingless angels by Michelangelo. It is said that the great Greek poet represented the gods without wings as if they could move with their feet joined together. The first part of the article examines this relatively obscure remark and its possible sources. One of the reasons for such a quotation is the general Renaissance attitude towards Classical texts to provide a historical perspective and establish an authoritative argumentation. However, a closer analysis discloses that Borromeo refers to Homer not simply as an aesthetic and historical but as a quasi-theological source of God-inspired wisdom.
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