“有几分钟,我可以假装自己是别人”——一项关于小说阅读活动的多种方法的研究

Jannike Ohrem Bakke, Fride Lindstøl
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引用次数: 1

摘要

本实证研究对文学作品的阅读过程进行了研究。八年级学生参加短篇小说《玛格莱特·金》(Zwilgmeyer, 1895)的细读,其中他们参与了不同类型的小说阅读活动(挪威语:“fiktive lesem”)。这个过程是在一个专业的研讨会上进行的,这是一个系统地研究教师教育教学质量的场所。这篇文章的目的是促进知识的组成经验为基础的过程中阅读小说,其中学生的读者角色变得可见。本研究以文学和戏剧理论为基础,以小说化为中心。戏剧分析表明,学生们喜欢集体合作和扮演角色。他们也喜欢在身体和空间上工作,对短篇小说的编排和修复持积极态度。他们处理文本的方法通常是文本外部的,他们倾向于主题和关系层的意义。短篇小说的补习给了学生一个很好的文本体验,但这意味着他们离开了原来的叙述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“For a few minutes I could pretend I was someone else” – a study of multiple approaches to fiction reading activities
This empirical study researches a literary reading process. 8th grade pupils participate in a close reading of a short story, Magrete Kind (Zwilgmeyer, 1895), in which they engage with different types of fiction reading activities (Norwegian: “fiktive lesemåter”). The process takes place in a professional workshop, an arena for working systematically with teaching quality in teacher education. The purpose of this article is to contribute to knowledge about the composition of experience-based processes in reading fiction, where the pupil’s reader role becomes visible. The study is anchored in literary and dramaturgical theory, and fictionalization is central. The dramaturgical analyses show that the pupils like to work collectively and in role. They also enjoy working bodily and spatially, and are positive about staging and remediating the short story. Their approach to text is often text-external, and they are oriented towards thematic and relational layers of meaning. The remediation of the short story gives the students a good text experience, but this means that they move away from the original narrative.
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