一个资深人士对好莱坞真实性的看法

Louis van den Ecker
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引用次数: 2

摘要

对于好莱坞更多的制片人来说,真实性已经成为一个代名词。这主要是因为曾经从世界各地寄来的源源不断的信件,抗议和批评电影制作中的错误陈述、时代错误、时代错误和其他错误。在电影工业的初期,资产管理人员、服装客户、美术部门以及其他与电影制作有关的每个人,都依靠自己的想象力和自己的个人概念来建立电影故事的场景。票房是最重要的;其他事情都是次要的。真实性一点也不重要。人们的普遍态度是,“谁知道什么是对的,什么是错的?”然而,信件的数量证明很多人都知道。因此,大公司开始投资于研究部门和材料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Veteran's View of Hollywood Authenticity
FOR THE greater number of producers in Hollywood, authenticity has become a byword. This has come about primarily because of the endless stream of letters that once arrived from all parts of the world protesting and criticizing misrepresentations, anachorisms, anachronisms, and other blunders committed in the making of motion pictures. In the infancy of the motion picture industry, the property boy, the costumer, the art department, and everyone else concerned with the making of a picture, relied on his own imagination and his own individual conceptions in establishing the locale of a motion picture story. The box office was of prime importance; anything else was secondary. Authenticity was of no importance at all. The general attitude was, "Who knows what is right or wrong, anyway?" However, the number of letters proved that many knew. So the major corporations began to invest in research departments and materials.
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