从奥孔科沃到奥迪利:后殖民时代解读奇努阿切贝的英雄

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摘要

本文考察了奇努阿·阿奇贝的四位英雄的处境和行为,他们是社会斗争的缩影:奥孔科沃、埃泽鲁、奥比和奥迪利,他们来自作者的前四部小说——《分崩离析》(1958)、《上帝之箭》(1964)、《不再安逸》(1960)和《人民的人》(1966)。这些英雄突出了他们的部族人民的斗争,这些斗争是殖民者和尼日利亚“腐败”的统治者在后殖民时期带来的。本文旨在运用“他者性”、“矛盾性”、“拟态”、“杂交性”、“非殖民化”和“新殖民主义”这六种后殖民理论方法,比较分析四位英雄的时代和任务。通过“他者性”的镜头,本研究揭示了Okonkwo,他在他的部落中因为殖民干预而成为“他者”。本文考察了Ezeulu作为一个矛盾的主角的角色以及他的悲剧结局。本文批判性地分析了第三位主人公欧比所表现出的拟态和混杂性。此外,本文还展示了奥迪利作为一个非殖民化的知识分子在后殖民非洲社会中与腐败作斗争的行动。本研究试图通过描绘四位英雄的故事来探讨阿奇贝如何代表被殖民人民以及新殖民时代人民的观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
OKONKWO TO ODILI: READING CHINUA ACHEBE’S HEROES POSTCOLONIALLY
The paper examines the situations and actions of Chinua Achebe’s four heroes, who stand as the epitomes of struggle in their society: Okonkwo, Ezeulu, Obi, and Odili from the first four novels of the author— Things Fall Apart (1958), Arrow of God (1964), No Longer at Ease (1960), and A Man of the People (1966). These heroes foreground the struggles of their clan people that are brought by the colonizer and the Nigerian ‘corrupt’ rulers in postcolonial time. This paper aims at applying six postcolonial theoretical approaches: Otherness, Ambivalence, Mimicry, Hybridity, Decolonization and Neocolonialism to analyse the time and tasks of the four heroes comparatively. Through the lens of ‘Otherness’, this study throws light on Okonkwo, who becomes an ‘Other’ in his clan because of colonial interventions. The paper examines Ezeulu’s role as an ambivalent protagonist along with his tragic ending. This study analyses critically the Mimicry and Hybridity exhibited by the third hero, Obi. Moreover, this paper shows the action of Odili as a decolonized intellectual who struggles against corruption in postcolonial African society. This study endeavours to explore how Achebe represents the perspectives of colonized people as well as the people of the neocolonial age by portraying the story of the four heroes.
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