士兵纪念碑的出现

T. Brown
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引用次数: 1

摘要

这一章将内战后公共纪念碑的激增与战时死亡人数和情况联系起来。由于许多阵亡士兵的遗体没有回到家乡,纪念碑被用作纪念碑,特别是在阵亡将士纪念日的仪式上。一些社区和机构选择委托建造纪念馆而不是纪念碑。这些建筑,通常是学校或公共图书馆,加强了教育机构,将志愿兵役置于参与和知情公民的更广泛理想之中。然而,士兵雕像成为了主要的纪念形式。许多士兵雕像反映了一种感伤的文化,这种文化哀悼的是私人和家庭的损失,而不是对公共服务的敬意,尽管有些纪念碑反而说明了镀金时代阶级秩序的僵化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Emergence of the Soldier Monument
This chapter connects the proliferation of public monuments after the Civil War to the number and circumstances of wartime deaths. Because the remains of many fallen soldiers did not return home, monuments served as cenotaphs, especially in Memorial Day rituals. Some communities and institutions chose to commission memorial halls rather than monuments. These buildings, often schools or public libraries, strengthened educational institutions that situated voluntary military service within a broader ideal of engaged and informed citizenship. The soldier statue nevertheless became the dominant memorial form. Many soldier statues reflected a sentimental culture that mourned private, familial losses rather than honoring public service, though some monuments instead illustrated the hardening of the class order in the Gilded Age.
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