克罗地亚三幅文艺复兴时期绘画中描绘的金色纺织品的模型重建:对装饰技术的追求

Paola Matković, Lucija Duplančić, Klaudia Hozjan, Sandra Šustić Cvetković
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引用次数: 0

摘要

这项研究将集中在杜布罗夫尼克(克罗地亚)文艺复兴时期画家Nikola Bozidarevic使用的几个装饰图案的三个小规模模型重建上。此次重建是Split大学艺术学院2020/2021学年技术分析和历史重建课程实践部分的一部分。在重建过程中,画家的工作性质引起了许多问题。试图回答可以使用哪些方法在镀金表面转移图案。进一步的问题与装饰的后续步骤有关,例如,表面的猛击是在用厚漆描绘图案之前还是之后发生的。尽管这些问题大多让人觉得模棱两可,但从重建过程中获得的经验强调了理解装饰技术的实际方面以及对这种过程所需的画家材料的高水平知识的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MOCK-UP RECONSTRUCTIONS OF GOLDEN TEXTILES DEPICTED IN THREE RENAISSANCE PAINTINGS FROM CROATIA: THE PURSUIT OF EMBELLISHMENT TECHNIQUES
This research will focus on three small-scale mock-up reconstructions of several embellishment motifs used by renaissance painter Nikola Bozidarevic from Dubrovnik (Croatia). The reconstructions were carried out as a part of the practical portion of the Technical analyses and historical reconstructions course at the Arts Academy of the University of Split during the academic year 2020/2021. During the reconstruction process a number of questions concerning the painter’s working properties aroused. The attempt was made to answer which methods of transferring the pattern on the gilded surface could have been used. Further questions concerned the subsequent steps of decoration, for example did the pouncing of the surface occurred before or after delineation of the motifs in thick paint. In spite the fact that most of these questions remind ambiguous, the experience gained from the reconstruction process emphasized the importance of understanding the practical aspects of decorative techniques as well as the high level of knowledge about the painter’s materials required for this kind of process.
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