Ngerebeg舞蹈:巴厘岛Tegallalang舞蹈旅游的发现

Anak Agung Gede Angga Mahaputra, N. M. Ruastiti, Ida Ayu Wimba Ruspawati
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引用次数: 0

摘要

本研究的目的是宣布ngerebeg舞蹈。Tegallalang的人们有ngerebeg传统,这在Duur Bingin寺庙的传统仪式上是神圣的。与ngerebeg舞不同,它被认为是一种亵渎神灵的新舞蹈。问题:1)Tegallalang的ngerebeg舞的形式是什么?采用R&D方法解决了这一问题。所有数据通过观察、访谈、焦点小组讨论和文献研究收集。从艺术研究的角度对所有数据进行定性分析。然后,这项研究的产出在发展研究成果的过程中成为一种解释性的回顾,这些研究成果通过创造新舞蹈的过程进行测试和应用。然后它与特加拉朗人交往,这样它就会立即被制度化。结果表明,ngerebeg舞蹈是在Tegallalang发现的,这种舞蹈是由10名舞者表演的,他们使用树枝,caru仪式,hoes, caping, bodag, tempeh,镰刀,农民的衣服,农民的裤子,身体的水彩,椰子叶,棕榈叶,lelontek,旗帜和钢笔跳舞30分钟,有树木图案的动作,动物图案的动作,平民图案的动作,间断动作,过渡动作,伴随着沉默的坐姿动作,相香舞的动作,黄沙马的动作,对黄沙马的崇拜动作,这些动作有一个仪式的主题,ngerebeg游行的动作,农民的动作和母亲的动作都有携带仪式材料的主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ngerebeg dance: A discovery of dance tourism in Tegallalang, Bali
The purpose of this study is to announce the ngerebeg dance. The people of Tegallalang have the ngerebeg tradition, which is sacred in a traditional ceremony at Duur Bingin Temple. Unlike the ngerebeg dance, it is known as a new dance that is profane. The problems: 1) What is the form of the ngerebeg dance in the Tegallalang?. This problem is solved by using the R&D method. All data was collected through observation, interviews, focus group discussions, and literature studies. All data were analyzed qualitatively from the perspective of art studies. The output of this research then becomes an interpretive review in the process of developing research results that are tested and applied through the process of creating a new dance. It was then socialized with the Tegallalang people so that it would be institutionalized immediately. The results showed that the ngerebeg dance as a discovery in Tegallalang, this dance was performed by 10 dancers using tree branches, caru ceremonies, hoes, caping, bodag, tempeh, sickle, farmer's clothes, farmer's pants, body water colors, coconut leaves, palm leaf fronds, lelontek, flags and penjor to dance for 30 minutes with tree-patterned movements, animal-patterned movements, populist-patterned movements, broken movements, transitional movements, sitting movements accompanied by silence, sanghyang dance movements, wong samar patterned movements, worship movements to wong samar, the movement had a ceremonial ritual motif, the ngerebeg procession patterned movement, the farmer's movement and the mother's movement had the motif of carrying ceremony materials.
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