{"title":"基于汉塞尔电影《实验2:波》的视听艺术中大众意识操纵机制建模","authors":"Anastasia Kupriyanova","doi":"10.31804/2782-4926-2022-1-4-33-55","DOIUrl":null,"url":null,"abstract":"In a number of cases, external sources of invasive penetration into the surrounding world of a person found in the world. The problem of manipulation of human consciousness through the media, imposed ideas by opinion leaders is growing every year. A person and society are completely unaware of the extent of the invasion of their privacy. Historically, the methods of manipulation are changing from more direct and explicit to unobtrusive and hidden. This is the difficulty of recognizing methods of influencing a person. The article examines how the problem of manipulation of people's mass consciousness by means of audiovisual arts is investigated in art cinema, in particular, how the mechanisms of manipulation of people's mass consciousness are modeled in the 2008 feature film by German director D. Hansel \"Experiment 2: Wave\". The present study presents an analysis of possible tools and methods of influencing the personality demonstrated in film production, problems arising during the implementation of such practices and possible consequences for society and the individual. The analysis of the film uses an ideological approach in cinema, the author of which was Andre Bazin. This approach is used to study films within the framework of ideology and the attitude of interest to it. With the help of this analytical method, the most representative topics about mass manipulation are identified in D. Hansel's film production. These include description, analysis, synthesis, analogy, interpretation. As a result of the research, several main levels of influence presented by the director are highlighted: family, culture, sports, education, the criminal world. At the final stage of the research, has been carried out analysis of the methods presented by D. Hansel in his film production and the generally recognized means of manipulation studied and presented in the works of sociologists and philosophers (E. Fromm, G. Marcuse, P. Kara-Murza, etc.).","PeriodicalId":129824,"journal":{"name":"Siberian Art History Journal","volume":"111 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MODELLING OF THE MECHANISMS OF MANIPULATION OF MASS CONSCIOUSNESS IN AUDIOVISUAL ART ON THE BASIS OF THE ANALISIS OF D. HANSEL'S FILM \\\"EXPERIMENT 2: WAVE\\\"\",\"authors\":\"Anastasia Kupriyanova\",\"doi\":\"10.31804/2782-4926-2022-1-4-33-55\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In a number of cases, external sources of invasive penetration into the surrounding world of a person found in the world. The problem of manipulation of human consciousness through the media, imposed ideas by opinion leaders is growing every year. A person and society are completely unaware of the extent of the invasion of their privacy. Historically, the methods of manipulation are changing from more direct and explicit to unobtrusive and hidden. This is the difficulty of recognizing methods of influencing a person. The article examines how the problem of manipulation of people's mass consciousness by means of audiovisual arts is investigated in art cinema, in particular, how the mechanisms of manipulation of people's mass consciousness are modeled in the 2008 feature film by German director D. Hansel \\\"Experiment 2: Wave\\\". The present study presents an analysis of possible tools and methods of influencing the personality demonstrated in film production, problems arising during the implementation of such practices and possible consequences for society and the individual. The analysis of the film uses an ideological approach in cinema, the author of which was Andre Bazin. This approach is used to study films within the framework of ideology and the attitude of interest to it. With the help of this analytical method, the most representative topics about mass manipulation are identified in D. Hansel's film production. These include description, analysis, synthesis, analogy, interpretation. As a result of the research, several main levels of influence presented by the director are highlighted: family, culture, sports, education, the criminal world. At the final stage of the research, has been carried out analysis of the methods presented by D. Hansel in his film production and the generally recognized means of manipulation studied and presented in the works of sociologists and philosophers (E. Fromm, G. Marcuse, P. Kara-Murza, etc.).\",\"PeriodicalId\":129824,\"journal\":{\"name\":\"Siberian Art History Journal\",\"volume\":\"111 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Siberian Art History Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31804/2782-4926-2022-1-4-33-55\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Siberian Art History Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31804/2782-4926-2022-1-4-33-55","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在许多情况下,外部源侵入性渗透到一个人周围的世界中发现。通过媒体操纵人类意识的问题,舆论领袖强加的思想每年都在增长。个人和社会完全不知道他们的隐私被侵犯的程度。从历史上看,操纵的方法正在从更直接、更明确的方式向不显眼、更隐蔽的方式转变。这是识别影响一个人的方法的困难。本文考察了艺术电影中如何通过视听艺术来操纵人们的大众意识问题,特别是德国导演D. Hansel 2008年的故事片《实验2:浪潮》如何模拟操纵人们的大众意识的机制。本研究分析了影响电影制作中所展示的个性的可能工具和方法,在实施这些做法时产生的问题以及对社会和个人可能产生的后果。这部电影的分析采用了电影中的意识形态方法,作者是安德烈·巴赞。这种方法是在意识形态和对它的兴趣态度的框架内研究电影。在此分析方法的帮助下,找出了D. Hansel电影制作中最具代表性的关于大众操纵的话题。这些方法包括描述、分析、综合、类比和解释。研究结果突出了导演所呈现的几个主要影响层面:家庭、文化、体育、教育、犯罪世界。在研究的最后阶段,对D. Hansel在他的电影制作中提出的方法进行了分析,并在社会学家和哲学家(E. Fromm, G. Marcuse, P. Kara-Murza等)的作品中研究和提出了普遍认可的操纵手段。
MODELLING OF THE MECHANISMS OF MANIPULATION OF MASS CONSCIOUSNESS IN AUDIOVISUAL ART ON THE BASIS OF THE ANALISIS OF D. HANSEL'S FILM "EXPERIMENT 2: WAVE"
In a number of cases, external sources of invasive penetration into the surrounding world of a person found in the world. The problem of manipulation of human consciousness through the media, imposed ideas by opinion leaders is growing every year. A person and society are completely unaware of the extent of the invasion of their privacy. Historically, the methods of manipulation are changing from more direct and explicit to unobtrusive and hidden. This is the difficulty of recognizing methods of influencing a person. The article examines how the problem of manipulation of people's mass consciousness by means of audiovisual arts is investigated in art cinema, in particular, how the mechanisms of manipulation of people's mass consciousness are modeled in the 2008 feature film by German director D. Hansel "Experiment 2: Wave". The present study presents an analysis of possible tools and methods of influencing the personality demonstrated in film production, problems arising during the implementation of such practices and possible consequences for society and the individual. The analysis of the film uses an ideological approach in cinema, the author of which was Andre Bazin. This approach is used to study films within the framework of ideology and the attitude of interest to it. With the help of this analytical method, the most representative topics about mass manipulation are identified in D. Hansel's film production. These include description, analysis, synthesis, analogy, interpretation. As a result of the research, several main levels of influence presented by the director are highlighted: family, culture, sports, education, the criminal world. At the final stage of the research, has been carried out analysis of the methods presented by D. Hansel in his film production and the generally recognized means of manipulation studied and presented in the works of sociologists and philosophers (E. Fromm, G. Marcuse, P. Kara-Murza, etc.).