{"title":"其他形式","authors":"Nicholas Stoia","doi":"10.1093/oso/9780190881979.003.0007","DOIUrl":null,"url":null,"abstract":"Chapter 6 briefly considers some examples that depart from either the poetic or rhythmic parameters outlined in earlier chapters. The most common departures are songs that maintain the familiar poetic forms but abandon the typical rhythmic profile. The most common textual departures maintain the rhythmic profile without the most constant elements of the poetic form.","PeriodicalId":207191,"journal":{"name":"Sweet Thing","volume":"102 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Other Forms\",\"authors\":\"Nicholas Stoia\",\"doi\":\"10.1093/oso/9780190881979.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 6 briefly considers some examples that depart from either the poetic or rhythmic parameters outlined in earlier chapters. The most common departures are songs that maintain the familiar poetic forms but abandon the typical rhythmic profile. The most common textual departures maintain the rhythmic profile without the most constant elements of the poetic form.\",\"PeriodicalId\":207191,\"journal\":{\"name\":\"Sweet Thing\",\"volume\":\"102 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sweet Thing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190881979.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sweet Thing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190881979.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 6 briefly considers some examples that depart from either the poetic or rhythmic parameters outlined in earlier chapters. The most common departures are songs that maintain the familiar poetic forms but abandon the typical rhythmic profile. The most common textual departures maintain the rhythmic profile without the most constant elements of the poetic form.