{"title":"未知之城博物馆。第二部分","authors":"C. Manolache","doi":"10.57225/martor.2021.26.10","DOIUrl":null,"url":null,"abstract":"\"The article discusses various projects (in the real world or on the social media) to do with creating a museum in and about the unknown town of Mizil. The “Museum of the Unknown Town” is the memory of a non-existent town. This is because most museums reconstruct worlds that have ceased to exist. They reinvent them as part of a utopic exercise applied to the past, despite the overwhelming amount of information that they have at their disposal and which they employ. However, knowledge is not the same as storage, but rather, to an extent that differs from case to case, it is also imagination, which enables innovation. The unpredictable connections between images and the texts of different personal experiences have the power not only to sensitise local visitors to the town’s history, but also to make them aware that they are a part of that history, that they can enrich it by cultivating and practising memory. The article argues that the communist past of the town and of Romania in general might be viewed in a more nuanced way, as opposed to the use of clichés and a uniform viewpoint. The author makes use of creative writing as his technique, drawing inspiration from hand-picked images.\"","PeriodicalId":324681,"journal":{"name":"Martor. The Museum of the Romanian Peasant Anthropology Review","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Museum of the Unknown City. Part II\",\"authors\":\"C. Manolache\",\"doi\":\"10.57225/martor.2021.26.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\\"The article discusses various projects (in the real world or on the social media) to do with creating a museum in and about the unknown town of Mizil. The “Museum of the Unknown Town” is the memory of a non-existent town. This is because most museums reconstruct worlds that have ceased to exist. They reinvent them as part of a utopic exercise applied to the past, despite the overwhelming amount of information that they have at their disposal and which they employ. However, knowledge is not the same as storage, but rather, to an extent that differs from case to case, it is also imagination, which enables innovation. The unpredictable connections between images and the texts of different personal experiences have the power not only to sensitise local visitors to the town’s history, but also to make them aware that they are a part of that history, that they can enrich it by cultivating and practising memory. The article argues that the communist past of the town and of Romania in general might be viewed in a more nuanced way, as opposed to the use of clichés and a uniform viewpoint. The author makes use of creative writing as his technique, drawing inspiration from hand-picked images.\\\"\",\"PeriodicalId\":324681,\"journal\":{\"name\":\"Martor. The Museum of the Romanian Peasant Anthropology Review\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Martor. The Museum of the Romanian Peasant Anthropology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.57225/martor.2021.26.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Martor. The Museum of the Romanian Peasant Anthropology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.57225/martor.2021.26.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"The article discusses various projects (in the real world or on the social media) to do with creating a museum in and about the unknown town of Mizil. The “Museum of the Unknown Town” is the memory of a non-existent town. This is because most museums reconstruct worlds that have ceased to exist. They reinvent them as part of a utopic exercise applied to the past, despite the overwhelming amount of information that they have at their disposal and which they employ. However, knowledge is not the same as storage, but rather, to an extent that differs from case to case, it is also imagination, which enables innovation. The unpredictable connections between images and the texts of different personal experiences have the power not only to sensitise local visitors to the town’s history, but also to make them aware that they are a part of that history, that they can enrich it by cultivating and practising memory. The article argues that the communist past of the town and of Romania in general might be viewed in a more nuanced way, as opposed to the use of clichés and a uniform viewpoint. The author makes use of creative writing as his technique, drawing inspiration from hand-picked images."