琼·甘兹·库尼在数字媒体时代的儿童电视概念

Krzysztof Łuszczek
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引用次数: 0

摘要

j·g·库尼从20世纪60年代末开始的儿童电视项目仍在发展中,不断变化和评价。它是基于电视可以教育的信念。《芝麻街》是最成功的学龄前儿童教育节目。这是教育家、心理学家和电视制作人共同努力的结果。几十年后,在媒体格局的变化中,当屏幕越来越多地出现时,我们又可以说它们可以教学。这主要是由于通过数字工具可以集中孩子的注意力。本文采用历史分析的方法。它用于媒体和传播研究,以确定所研究事实的背景和背景。本文的基本史料是1966年J.G.康尼的报告和对儿童教育电视原计划的重建。该报告的作者本人鼓励对文本及其后果进行历史分析,并将于2019年以数字形式重新发布报告。J.G.库尼将她的模型建立在三个基本支柱上:教育学、心理学和电视研讨会。然而,当时的电视并不像当代媒体那样具有“侵入性”,尽管它已经引起了非常批评性的评价。除其他事项外,这有助于讨论确保公众对传播媒介的兴趣的必要性。其要素之一是将技术用于教育目的。今天,孩子们在其他工具和数字技术的帮助下满足他们的发展需求,这些工具和技术密封地填充了他们的生活环境。这种情况比《芝麻街》诞生时更为紧迫,当时许多家庭(例如穷人或移民家庭)没有如此广泛的技术渠道。在创造在教育中使用数字工具的概念时,J.G.库尼的第一个项目应该被视为创造新模式的关键灵感。与教育电视项目一样,为了实现教学目标,需要教育工作者、心理学家和信息通信技术专家的合作。只有适当的教学规划才能确保在教学中成功使用数字工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The concept of Children’s Television by Joan Ganz Cooney in the age of digital media
 J.G. Cooney’s children’s television project from the late 1960s is still developing, subject to change and evaluation. It was based on the belief that television can teach. “Sesame Street” turned out to be the most successful educational program for preschoolers. It was the result of a common effort of educators, psychologists and television producers. After a few decades, in a changed media landscape, when the screens became more and more present, again we can say that they can teach. This is mainly due to the possibility of focusing the child’s attention through digital tools. The article uses the method of historical analysis. It is used on the media and communication research to determine the context and background of the facts studied. In this article, the basic historical sources are the 1966 report by J.G. Conney and the reconstruction of the original project of educational television for children. The author of the report herself encourages a historical analysis of the text and its consequences by re-issuing the report, this time in a digital form in 2019. J.G. Cooney based her model on three basic pillars: pedagogy, psychology and television workshop. However, the television as it was then was not as “invasive” as the contemporary media, although it had already evoked very critical assessments. This contributed, among other things, to the discussion on the need to ensure public interest in the media. One of its elements is the use of technology for educational purposes. Today, children fulfill their developmental needs with the help of other tools and digital technologies hermetically fill their living environment. This situation is much more urgent than at the time of the creation of “Sesame Street” where many families (e.g. poor or immigrant ones) did not have such a wide access to technology. When creating the concept of using digital tools in education, the first project by J.G. Cooney should be treated as a key inspiration for creating a new model. As with the educational television project, in order to achieve the didactic goals, the cooperation of educators, psychologists and ICT specialists is needed. Only proper pedagogical planning can ensure success in the use of digital tools in didactics.
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