{"title":"结语:文学的世界政治","authors":"J. Cherbuliez","doi":"10.1515/9780823287840-009","DOIUrl":null,"url":null,"abstract":"The Epilogue offers an application of the Medean principle of violence beyond the premodern, first through a reading of cosmopolitanism as a state of epistemological outsiderness: that which can neither be assimilated nor expiated. It turns to Leïla Slimani’s 2016 Chanson douce as a critical examination of contemporary Medean violence","PeriodicalId":263551,"journal":{"name":"In the Wake of Medea","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Epilogue: The Cosmopolitics of Literature\",\"authors\":\"J. Cherbuliez\",\"doi\":\"10.1515/9780823287840-009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Epilogue offers an application of the Medean principle of violence beyond the premodern, first through a reading of cosmopolitanism as a state of epistemological outsiderness: that which can neither be assimilated nor expiated. It turns to Leïla Slimani’s 2016 Chanson douce as a critical examination of contemporary Medean violence\",\"PeriodicalId\":263551,\"journal\":{\"name\":\"In the Wake of Medea\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"In the Wake of Medea\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9780823287840-009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"In the Wake of Medea","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9780823287840-009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Epilogue offers an application of the Medean principle of violence beyond the premodern, first through a reading of cosmopolitanism as a state of epistemological outsiderness: that which can neither be assimilated nor expiated. It turns to Leïla Slimani’s 2016 Chanson douce as a critical examination of contemporary Medean violence