Z. Pietrzak
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引用次数: 1

摘要

《适应的艺术》(波兰语为Sztuka jako adaptacja)是杰西·卢蒂(Jerzy Luty)的一本书,它激发人们不仅在文化过程中寻找艺术的根源,而且在生物(进化)过程中寻找艺术的根源。这种进化论观点的结果提出了这样一个问题:除了人类之外,其他物种是否也创造艺术,如果有,它如何证明自己是有效的。在本文中,我强调,如果我们承认艺术是进化过程的结果,我们也应该面对这样一个事实,即至少一些动物物种在某种程度上应该被视为作者或创造者。更重要的是,我们应该认识到这些动物本身就是艺术品。为了证明这一论点的正确性,博物学家以鸟类为例。承认动物可以创造艺术意味着另一个问题,即它们是否具有美感。最后,还有一个问题需要反思,那就是自然本身是美(丑),还是美学中立,类似于它是好还是坏的问题。后一个问题是本体论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Czy zwierzę może być dziełem sztuki. Kilka refleksji na marginesie książki Jerzego Lutego „Sztuka jako adaptacja”
Art as Adaptation [published in Polish as Sztuka jako adaptacja], a book by Jerzy Luty, provokes one to seek the roots of art not only in cultural processes but also in biological (evolutionary) processes. The consequences of this evolutionistic perspective render the question whether other species, apart from human beings, create art, and if so, how it manifests itself valid. In this paper, I emphasise that if we recognise art as the effect of evolutionary processes, we should also face the fact that at least some species of animals should be treated as authors or creators to some degree. What is more, we should recognise that these animals themselves are works of art. To justify this thesis, naturalists point to birds. The recognition that animals can create art implies another question, namely, whether they have an aesthetic sense. Finally, there is one more question that needs to be reflected upon, which is whether nature itself is beautiful (ugly), or aesthetically neutral, analogous to the question of whether it is good or bad. The latter question is ontological.
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