纺织品语义学:感知与记忆

S. Andrew
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引用次数: 0

摘要

个体记忆建立在许多方面,通过不同的沟通渠道进行调解,它包含了与我们有形成性和持续关系的人传递的感知,以及形成我们集体文化记忆的共同经历(真实的,虚拟的或超真实的)。Erll(2008)指出,物质(人工制品、媒体)、社会(人、社会关系、制度)和认知(文化定义的思维方式)有助于文化记忆的形成。观众对纺织品的解读以及使用或观看纺织品的语境,受到个人记忆和共同文化记忆的影响,这两种记忆触发了共同感知的产生,从符号学的角度来看,这些感知揭示了占主导地位的文化意义代码。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Textile semantics: Perception and memory
Individual memory is built from many facets, mediated through different communication channels it incorporates perceptions transmitted from those with whom we have formative and on-going relationships, and the shared experiences (real, virtual or hyper-real) that form our collective cultural memory. Erll (2008) notes that the material (artefacts, media), the social (people, social relations, institutions), and the cognitive (culturally defined ways of thinking) contribute to the formation of cultural memory. Viewer interpretations of textiles and the context in which they are used or viewed, are informed by both individual memory and shared cultural memory, which act as triggers for the generation of shared perceptions that in semiotic terms reveal dominant cultural codes of meaning.
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