欧洲的创新作为彼得大帝国家宣传的外部装饰

T. Chernikova
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引用次数: 0

摘要

的目标。本文的目的是分析彼得大帝时代的几种国家宣传形式。作者分析了以西欧风格进行的彼得大帝寓言肖像、纪念章、命令、船舶装饰、表演和胜利的语义负荷。研究的基础是由历史决定论的原则决定的,这需要根据17世纪末至18世纪初的信仰来解释意义。本文采用了西方文献和俄罗斯文献的比较分析方法。分析揭示了彼得大帝在意识形态领域的欧洲化的肤浅,在对沙皇的解释中“共同利益”的观念的替代。从本质上讲,当时的国家意识形态是前“老莫斯科”社会政治观点的发展形式,这些观点是作为俄罗斯世袭君主制的一部分发展起来的,被欧洲寓言式的“装饰”所装饰。研究的意义。这一结论在国内史学中几乎找不到,它强调了研究人员对彼得大帝意识形态的关注,这部分意识形态与俄罗斯社会文化体系的旧基础有关,而不是与“创新”有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
European innovations as an external decoration of the state propaganda of Peter the Great
Aim. The purpose of the article is to analyze several forms of state propaganda of Peter the Great’s era.Metodology. The author analyzes the semantic load that allegoric portraits of Peter the Great, commemorative medals, orders, decor of ships, performances and triumphs carried out in the Western European manner. The basis of the study is determined by the principle of historicism, which requires interpretation of meanings, based on the beliefs of the late 17th – early 18th centuries. The methodology of comparative analysis of Western and Russian sources was applied.Results. The analysis revealed the superficiality of Peter the Great’s Europeanization in the ideological sphere, the substitution of the idea of the «common good» in the interpretation of the tsar. In essence, the state ideology of that time was the form of the development of the former «Old Moscow » socio-political views which were developed as a part of the Russian patrimonial monarchy, ornamented by European allegorical «decor».Research implications. The conclusion made is practically not found in domestic historiography and emphasizes the attention of researchers to that part of Peter the Great’s ideology which was connected with the old basis of the sociocultural system of Russia rather than with with the «innovations».
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