一种音乐视频创作系统,通过重新排列音乐条来同步视频剪辑和音乐的高潮

Haruki Sato, T. Hirai, Tomoyasu Nakano, Masataka Goto, S. Morishima
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引用次数: 6

摘要

本文提出了一个系统,该系统可以根据用户的偏好,通过替换和连接现有歌曲的音乐条,自动为视频剪辑添加配乐。由于配乐使视频剪辑具有吸引力,因此在剪辑中添加配乐是视频编辑中最重要的过程之一。为了让视频片段更有吸引力,剪辑师往往会考虑到它的时间和高潮,添加配乐。例如,编辑通常通过替换和连接现有歌曲中的音乐小节,在剪辑的高潮部分添加合唱部分。但是,在这个过程中,编辑要考虑到重新编排的原声的自然度。因此,编辑必须同时考虑歌曲的时机、高潮和重新编排的原声的自然性,决定如何替换歌曲中的音乐小节。在这种情况下,编辑需要通过聆听重新排列的结果来优化配乐,并检查结果与视频剪辑之间的自然度和同步度。然而,这种重复的工作非常耗时。[Feng等。2010]提出了一种自动配乐添加方法。然而,由于这种方法是自动添加配乐的数据驱动方法,这种方法不能考虑用户喜欢的时机和高潮。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A music video authoring system synchronizing climax of video clips and music via rearrangement of musical bars
This paper presents a system that can automatically add a soundtrack to a video clip by replacing and concatenating an existing song's musical bars considering a user's preference. Since a soundtrack makes a video clip attractive, adding a soundtrack to a clip is one of the most important processes in video editing. To make a video clip more attractive, an editor of the clip tends to add a soundtrack considering its timing and climax. For example, editors often add chorus sections to the climax of the clip by replacing and concatenating musical bars in an existing song. However, in the process, editors should take naturalness of rearranged soundtrack into account. Therefore, editors have to decide how to replace musical bars in a song considering its timing, climax, and naturalness of rearranged soundtrack simultaneously. In this case, editors are required to optimize the soundtrack by listening to the rearranged result as well as checking the naturalness and synchronization between the result and the video clip. However, this repetitious work is time-consuming. [Feng et al. 2010] proposed an automatic soundtrack addition method. However, since this method automatically adds soundtrack with data-driven approach, this method cannot consider timing and climax which a user prefers.
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