{"title":"适当的审美自主性","authors":"F. Sallis","doi":"10.7202/1014668AR","DOIUrl":null,"url":null,"abstract":"The present contribution to the Colloquy takes issue with problematic positions on aesthetic autonomy in music, which have appeared over the past couple of years in the pages of this journal. The tone is frank, the intention is constructive and the point is to engage in an exchange of ideas with colleagues who may have different points of view on these matters.","PeriodicalId":224798,"journal":{"name":"Canadian University Music Review","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Apropos Aesthetic Autonomy\",\"authors\":\"F. Sallis\",\"doi\":\"10.7202/1014668AR\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present contribution to the Colloquy takes issue with problematic positions on aesthetic autonomy in music, which have appeared over the past couple of years in the pages of this journal. The tone is frank, the intention is constructive and the point is to engage in an exchange of ideas with colleagues who may have different points of view on these matters.\",\"PeriodicalId\":224798,\"journal\":{\"name\":\"Canadian University Music Review\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-03-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Canadian University Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1014668AR\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Canadian University Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1014668AR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The present contribution to the Colloquy takes issue with problematic positions on aesthetic autonomy in music, which have appeared over the past couple of years in the pages of this journal. The tone is frank, the intention is constructive and the point is to engage in an exchange of ideas with colleagues who may have different points of view on these matters.
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