艺术与爱情的事物:歌德的Römische挽歌中的调解

Sebastian Meixner, Carolin Rocks
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摘要

摘要:诗歌与爱情,审美形式与感官体验,古代过去与现在:歌德的Römische《爱》通过一系列的对立面进行创作,这些对立面直到今天仍主导着学术讨论。这篇文章将艺术和爱情的事物解释为一种综合调解的共同基础,这种调解是学术中所指出的对立的基础,并将抒情形式置于一切之上。本文通过对这一周期的一些哀歌的梳理,着重探讨了在不同角色中调节调解的阿莫尔的作用。作为一个聪明的向导(挽歌II*),作为一个媒人(挽歌II*),作为一个仆人(挽歌V *),作为一个流氓和忠诚的老师(挽歌XIII *),作为一个权威(挽歌XIX *),他在歌德的循环中成为了主角。在其持续动态的俏皮调解中,它有一个明确的目标:诗意的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Things of Art and Amor: Mediation in Goethe's Römische Elegien
Abstract:Poetry versus love, aesthetic form versus sensual experience, ancient past versus present: Goethe's Römische Elegien works through a series of opposites that dominate scholarly discussion to this day. This essay interprets the things of art and Amor as the common ground of a comprehensive mediation that underlies the oppositions noted in scholarship and places lyric form above all else. In a journey through selected elegies of the cycle, the paper thereby focuses on the function of Amor who regulates mediation in various roles. Amor as a clever guide (elegy II*), as a matchmaker (II), as a servant (V), as a rogue and committed teacher (XIII), and as an authority (XIX) who advances to become the leading figure in Goethe's cycle. In its continuous dynamics of playful mediation, it has one clear goal: poetic form.
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