欧洲和平支离破碎?

C. Davison
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引用次数: 0

摘要

“剪贴簿系列”是英国广播公司在20世纪20年代末推出的一档广受欢迎的长期播出节目;它被设想为“麦克风混音”或“声音盛会”,重新审视了自录音技术出现以来的声学亮点。这个非凡的音频纪录片为本章提供了起点,本章探讨了合作广播政策之间的重要联系,伍尔夫在20世纪30年代提高了对声学的敏感度,以及这个时代历史上第一次意识到自己是由可重复的声音构成的。通过声音档案、波长立法和黄金时段的BBC节目追溯欧洲广播联盟的演变,这一章描绘了最丰富、最被忽视的广播文化外交实验,设计了一个更安全、更和谐的欧洲,通过大胆的跨欧洲音乐共鸣将普通听众联系在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
European Peace in Pieces?
The “Scrapbook Series” was a popular, long-running BBC broadcast launched in the late 1920s; conceived as a ‘microphone medley’ or ‘sonic pageant’, it revisited the acoustic highlights since the advent of recording technology. This remarkable audio documentary provides the starting-point for this Chapter, which explores essential links between cooperative broadcasting policies, Woolf’s heightened acoustic sensibility in the 1930s, and the era’s awareness of itself as being, for the first time in history, dimensioned by reiterable sound. Retracing the evolution of the European Broadcasting Union via sound archives, wave-length legislation, and primetime BBC programmes, the chapter charts the richest, most overlooked experiments in cultural diplomacy on air, designing a safer, more harmonious Europe which linked common listeners at home via the boldly trans-European resonance of music.
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