“方济会规则的认可”——乔托作品中人物的虚拟体验

E. Pietroni, F. Antinucci
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引用次数: 18

摘要

在2010年4月10日至9月5日在西西向公众开放的“乔托的色彩”展览中,国家研究委员会实现了一个创新的项目,从十三世纪末乔托在西西圣弗朗西斯上殿绘制的“规则确认”场景中创造了一个虚拟环境。从对乔托的空间、人物、比例和模型的精确研究开始,场景以3D形式呈现出来,并使用原始艺术家的绘画“映射”。在此基础上实现了两个虚拟现实装置。在第一幅画中,你几乎可以进入乔托的壁画。这个场景被赋予了生命:人物在表演艺术家画的动作时被动画和表现出来。游客可以在虚拟空间中与角色互动,无需传统界面(鼠标、操纵杆、键盘、设备)的支持,而只需使用身体动作,以一种简单而自然的方式。通过这种方式,乔托所描绘的空间成为一个开放的体验场所,可供多感官的叙述和参与。相反,第二个装置的方法是描述性和解释性的,侧重于乔托壁画的空间和视角调查,与三维重建相比。这个实验的主要目的是让观察者参与到乔托所画的场景中,使参观者能够感受到并理解乔托所传达的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"The Approval of the Franciscan Rule" - Virtual Experience among the Characters of Giotto's Work
Within the exhibition "Giotto's colours" opened to public from the 10th of April to the 5th of September 2010 in ssisi, the National Research Council realized an innovative project creating a virtual environment from the scene "The Rule Confirmation", painted by Giotto in the Upper Basilica of St. Francis of ssisi at the end of the XIII century. The scene has been represented in 3D, starting from an accurate study of Giotto's space, characters, proportions and the models have been "mapped" using the original artistss painting. On this base two virtual reality installations have been realized. In the first one it is possible to virtually enter into the Giotto's Fresco. The scene is brought to life: characters are animated and represented while performing the action painted by the artist. Visitors can interact within the virtual space and mix with the characters without the support of traditional interfaces (mouse, joystick, keyboards, devices) but just using body movements, in a simple and natural way. In this way the space illustrated by Giotto becomes a place of experience open to multisensorial narration and participation. On the contrary, the approach of the second installation is descriptive and interpretative, focused on the spatial and perspective investigation of Giotto's fresco, in comparison with the 3d reconstruction. The primary objective of this experiment is to involve the observer in the scene painted by Giotto and to enable the visitor to feel and understand the message that Giotto was communicating.
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