{"title":"Spiegelman的《鼠与元》中的多模态史学","authors":"Naila Sahar","doi":"10.32350/llr.61.05","DOIUrl":null,"url":null,"abstract":"Art Spiegelman’s act of writing (and drawing) Maus is an act of breaking silences. It’s an act of reinterpreting and reconstructing history. By collecting personal memories of his father, Spiegelman recovers, commemorates and recollects the collective heritage of a trauma in a society, where denial and erasure are primary tools of historiography.","PeriodicalId":135226,"journal":{"name":"Linguistics and Literature Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Multimodal Historiography in Spiegelman’s Maus and MetaMaus\",\"authors\":\"Naila Sahar\",\"doi\":\"10.32350/llr.61.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Art Spiegelman’s act of writing (and drawing) Maus is an act of breaking silences. It’s an act of reinterpreting and reconstructing history. By collecting personal memories of his father, Spiegelman recovers, commemorates and recollects the collective heritage of a trauma in a society, where denial and erasure are primary tools of historiography.\",\"PeriodicalId\":135226,\"journal\":{\"name\":\"Linguistics and Literature Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Linguistics and Literature Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32350/llr.61.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Linguistics and Literature Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32350/llr.61.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Multimodal Historiography in Spiegelman’s Maus and MetaMaus
Art Spiegelman’s act of writing (and drawing) Maus is an act of breaking silences. It’s an act of reinterpreting and reconstructing history. By collecting personal memories of his father, Spiegelman recovers, commemorates and recollects the collective heritage of a trauma in a society, where denial and erasure are primary tools of historiography.
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