旅行问题

Kimberly Johnson
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引用次数: 0

摘要

这里的语言不是在鱼身上移动,而是在注意力和描述相互作用的过程中移动,剥离的皮肤的纹理唤起了壁纸,然后促使人们认识到壁纸和鱼鳞图案之间的相似之处。这些诗句叙述了对相似性的认识,这是一种支配诗歌展开的思维习惯:“他身上有藤壶的斑点,”毕晓普报告说,然后以一种比喻的方式继续说,“美丽的石灰玫瑰花”(11月11日)。16 - 17)。墙纸皮上的玫瑰被精心制作成鱼身体的外壳,然后在水面下进一步开花:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Questions of Travel
The language here moves not across the fish, but across the processes by which attention and description interinform, the texture of the stripped skin evoking wallpaper which then prompts a recognition of the similarities between wallpaper and patterns in the fish’s scales. The lines narrate the realization of resemblance, a habit of mind that governs the poem’s unfolding: “He was speckled with barnacles,” Bishop reports, and then continues in a figural register, “fine rosettes of lime” (ll. 16-17). The roses in the wallpapery skin are elaborated into the matter that crusts the fish’s body, and then flower further beneath the surface:
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