种族身份的解构与重构:黄哲伦《黄脸》中的戏剧艺术研究

Xiaoxin Zhu
{"title":"种族身份的解构与重构:黄哲伦《黄脸》中的戏剧艺术研究","authors":"Xiaoxin Zhu","doi":"10.32996/ijllt.2023.6.4.7","DOIUrl":null,"url":null,"abstract":"After the immediate success of M. Butterfly by Chinese American playwright David Henry Hwang, Yellow Face is Hwang’s other play that carries forward innovation in terms of theatricality and delivers an ideal of harmonious intercultural relationships and multicultural integration. Yellow Face is a semi-autobiographical Pirandellian comedy built out of a trio of Hwang and his father’s real-life experiences in an attempt to blur the line between reality and fictionality, thus exposing the ambiguity and penetrability of boundaries. This article analyzes the Alienation-Effect of the structure, acting and stage setting in Yellow Face to probe into how, by means of A-Effect, Hwang deconstructs the essentialist notion of race and reveals the possibility of reconstructing a fluid identity.","PeriodicalId":228981,"journal":{"name":"International Journal of Linguistics, Literature and Translation","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Deconstruction and Reconstruction of Racial Identity: A Study of the Dramatic Arts in David Henry Hwang’s Yellow Face\",\"authors\":\"Xiaoxin Zhu\",\"doi\":\"10.32996/ijllt.2023.6.4.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After the immediate success of M. Butterfly by Chinese American playwright David Henry Hwang, Yellow Face is Hwang’s other play that carries forward innovation in terms of theatricality and delivers an ideal of harmonious intercultural relationships and multicultural integration. Yellow Face is a semi-autobiographical Pirandellian comedy built out of a trio of Hwang and his father’s real-life experiences in an attempt to blur the line between reality and fictionality, thus exposing the ambiguity and penetrability of boundaries. This article analyzes the Alienation-Effect of the structure, acting and stage setting in Yellow Face to probe into how, by means of A-Effect, Hwang deconstructs the essentialist notion of race and reveals the possibility of reconstructing a fluid identity.\",\"PeriodicalId\":228981,\"journal\":{\"name\":\"International Journal of Linguistics, Literature and Translation\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-04-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Linguistics, Literature and Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32996/ijllt.2023.6.4.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Linguistics, Literature and Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32996/ijllt.2023.6.4.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

继美籍华裔剧作家黄哲伦的《蝴蝶君》获得巨大成功后,《黄脸》是黄哲伦在戏剧性方面进行创新的又一部作品,它传达了和谐的跨文化关系和多元文化融合的理想。《黄脸》是一部半自传体的皮兰德里喜剧,以黄和他父亲的真实经历为基础,试图模糊现实与虚构之间的界限,从而揭示界限的模糊性和可穿透性。本文通过分析《黄脸》的结构、表演和舞台设置的异化效应,探讨黄禹锡如何通过a效应解构本质性的种族观念,揭示重构流动身份的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Deconstruction and Reconstruction of Racial Identity: A Study of the Dramatic Arts in David Henry Hwang’s Yellow Face
After the immediate success of M. Butterfly by Chinese American playwright David Henry Hwang, Yellow Face is Hwang’s other play that carries forward innovation in terms of theatricality and delivers an ideal of harmonious intercultural relationships and multicultural integration. Yellow Face is a semi-autobiographical Pirandellian comedy built out of a trio of Hwang and his father’s real-life experiences in an attempt to blur the line between reality and fictionality, thus exposing the ambiguity and penetrability of boundaries. This article analyzes the Alienation-Effect of the structure, acting and stage setting in Yellow Face to probe into how, by means of A-Effect, Hwang deconstructs the essentialist notion of race and reveals the possibility of reconstructing a fluid identity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信