{"title":"潘多拉盒子","authors":"Léon Kossovitch, Sérgio Cardoso De Moraes","doi":"10.34024/limiar.2021.v8.12560","DOIUrl":null,"url":null,"abstract":"Leon Kossovich analisa lineogravuras de Sérgio de Moraes.","PeriodicalId":136173,"journal":{"name":"Revista Limiar","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Caixa de Pandora\",\"authors\":\"Léon Kossovitch, Sérgio Cardoso De Moraes\",\"doi\":\"10.34024/limiar.2021.v8.12560\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Leon Kossovich analisa lineogravuras de Sérgio de Moraes.\",\"PeriodicalId\":136173,\"journal\":{\"name\":\"Revista Limiar\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Limiar\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34024/limiar.2021.v8.12560\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Limiar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34024/limiar.2021.v8.12560","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
莱昂-科索维奇（Leon Kossovich）对塞尔吉奥-德-莫赖斯（Sérgio de Moraes）的线描画进行了分析。
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