当代法国文学中的电影参考:记忆作为符号间的十字路口

Fabien Gris
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引用次数: 1

摘要

在以指称运用为特征的法国当代文学中,文学与电影的关系假说通过记忆出现。文学文本中对电影的提及传达了视觉记忆,将文字向图像打开,而这些图像却没有真正出现在文本中。这种共享的电影记忆因此在作者和读者之间创造了一种默许,这是围绕文化决定的心理图像建立的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La référence cinématographique dans la littérature contemporaine française : la mémoire comme carrefour intersémiotique
In French contemporary literature, which is characterized by referential use, the hypothesis of a relation between literature and cinema appears through memory. The reference to cinema in literary texts conveys visual memory, opening up words to images, without these images to be really present in the texts. This shared cinematographic memory thus creates a connivance between writer and reader, which is built around culturally determined mental images.
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