混乱的太平洋中的过渡州(1812-1848

Edward H. Sugden
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引用次数: 0

摘要

这一章探讨了衰落的西班牙殖民主义和即将到来但并非不可避免的美国帝国主义民族国家之间的历史褶皱。它将这一中间地带称为“过渡状态”,显示了批判性叙事如何经常错误地解读1812年至1848年间太平洋地区随后发生的转变。在此之前,那些把太平洋理论化的人表达了各种过渡性的意识形式——他们如何计算时间,如何表述空间,如何表达他们的政治。在这些领域中,他们想象世界仍然可以被改造成新的社会形式。本章所称的“酷儿移民”出现并体现了这些过渡的能量。美国进入该地区关闭了这一潜力空间。对于赫尔曼·梅尔维尔(Herman Melville)和詹姆斯·费尼莫尔·库珀(James Fenimore Cooper)等试图想象早期太平洋世界的作家来说,这是一场悲剧。因此,他们发展了一种形式——太平洋挽歌——哀悼这个世界的消失,但在哀悼中,将它存档,以便未来的读者可以重新激活它。总的来说,这一论点挑战了主导美国研究的西方倾向的帝国主义叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transition States in the Chaotic Pacific, 1812–1848
This chapter explores the historical fold between a declining Spanish colonialism and a coming but not inevitable US imperial nation-state. Terming this midzone the “transition state,” it shows how critical narratives often falsely read the Pacific between 1812 and 1848 in terms of the transformations that occurred subsequently. Before that, individuals who theorized the Pacific gave voice to various transitional forms of consciousness—how they reckoned time, formulated space, or articulated their politics. In each of these domains, they imagined that the world could still be remade into new social forms. A personage the chapter terms the “queer migrant” emerged and embodied these transitional energies. The coming of the United States into the region closed down this space of potential. For those writers who sought to imagine the early Pacific world, such as Herman Melville and James Fenimore Cooper, this was a tragedy. They therefore developed a form—the Pacific elegy—that mourned the loss of this world yet, in mourning it, archived it so that future readers could reactivate it. Overall, this argument challenges the narrative of westward-tending imperialism that has dominated American studies.
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