当代尼泊尔绘画对《蒙娜丽莎》的挪用

Saur Ganga Darshandhari
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摘要

无论是在艺术、文学、音乐、电影、戏剧还是任何媒介中,创作或再创作新作品都是没有边界的。艺术家在其作品中使用原始对象或图像并对原始对象或图像进行更改的做法被认为是艺术中的挪用或适当的艺术。本文主要研究当代尼泊尔绘画中对《蒙娜丽莎》的挪用。最受欢迎的艺术作品《蒙娜丽莎》是列奥纳多·达·芬奇在1503年至1506年间创作的,目前收藏在巴黎卢浮宫博物馆。世界各地的艺术家将达芬奇的艺术作品转化为合适的艺术作品的例子有很多。1919年,马谢尔·杜尚(Marchel Duchamp)在一张明信片上复制了《蒙娜丽莎》(Mona Lisa),并用铅笔添加了小胡子和胡须。此外,这种对《蒙娜丽莎》的盗用也可以在尼泊尔艺术家的画作中看到。这可以从著名艺术家Manuj Babu Mishra的作品中看到,也可以从Laxman Bajra Lama等崭露头角的艺术家的作品中看到。在与《蒙娜丽莎》进行有意识和无意识的对话时,尼泊尔当代艺术家似乎明显受到传统神话、图标、图案和宗教的驱动。在这里,我们将讨论当代尼泊尔艺术家创作的《蒙娜丽莎》的十个合适的艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Appropriating the Mona Lisa in the Contemporary Nepali Painting
There is no boundary in creating, or recreating new work whether in art, literature, music, film, drama, or any medium. The practice of artists using original objects or images in their artworks with changes of the original ones is considered appropriation in art, or appropriate art. This paper focuses on the appropriation of the Mona Lisa in the contemporary Nepali paintings. The Mona Lisa, the most sought-after work of art, was created by Leonardo Da Vinci during c. 1503-1506 is presently housed in the Louvre Museum, Paris. There are several examples of Vinci’s art turned into appropriate art by artists from around the world. In 1919, Marchel Duchamp appropriated adding a moustache and beard with a pencil in a postcard reproduction of the Mona Lisa. Moreover, this appropriation of the Mona Lisa can be seen in Nepali artists' paintings as well. It can be seen in the works of the eminent artist Manuj Babu Mishra to the up-and-coming artists like Laxman Bajra Lama and many others. While making conscious and unconscious dialogues with the Mona Lisa, Nepali contemporary artists seem to be apparently driven by traditional myths, icons, motifs, and religions. Here, ten of the appropriate arts of the Mona Lisa, created by contemporary Nepali artists will be discussed.
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