ХІХ - ХХ世纪之交西欧的哲学思想与艺术创作

М. Galushko, V. Drannyk
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引用次数: 0

摘要

哲学思维和艺术创造是人类思维的两种重要表现形式,它们试图反映一个人的内心世界,一个人与社会的互动问题。自古以来,人,人的目的和行为,人的过去、现在和未来,都是艺术研究和哲学分析的对象。本文探讨了ХІХth世纪末ХХth世纪初西欧哲学和美学思想的发展过程,不仅揭示了该历史时期艺术和哲学的杰出代表的世界观的共性,而且在许多方面,在某种程度上决定了ХХth世纪西欧艺术的发展方式。哲学和美学思想的一个特点和重要趋势是从对自然科学的迷恋到审美活动的转变,到艺术哲学的转变,到试图怀疑智力,宣布审美活动是社会生活中非理性的神秘现象的保护区,这导致了哲学、艺术和自然科学的这种转变。对艺术和创作实践也产生了巨大的影响,这些艺术和创作实践以其具象的结构反映了这一历史时期的感受、体验和解释,这是一个危机时期,一个人的完整存在的混乱时期,一个人的精神力量的胆怯和矛盾的分层时期,一个社会关系破裂的时期。ХІХ - ХХ世纪之交成为西欧精神生活的一个标杆,因为在社会意识发展过程中形成的根深蒂固的观念和形式发生了重大突破。而哲学、艺术创意是社会精神文化的重要组成部分,是一种时尚“潮流”的晴雨表,它涵盖了社会精神生活的情感和心理因素的广泛领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Philosophical thought and artistic creativity of western europe at the turn of the ХІХ – ХХ centuries
Philosophical thought and artistic creativity are two important manifestations of human thinking, which try to reflect the inner world of a person, the problems of interaction between a person and society. Since ancient times, human, his purpose and actions, his past, present and future have been objects of artistic research and philosophical analysis. The article explores the processes that took place in the philosophical and aesthetic thought of Western Europe at the end of the ХІХth and the beginning of the ХХth centuries, which not only revealed commonalities in the worldviews of prominent representatives of art and philosophy of that historical period, but also in many ways, in a certain way, determined the ways of development of Western European art of the ХХth century. A characteristic and important tendency of philosophical and aesthetic thought was the transition from fascination with natural science to aesthetic activity, to the transformation of the philosophy of art, to the attempt to discredit the intellect, to declare aesthetic activity a protected zone of irrational, mystical phenomena of social life, which caused this kind of transformation of philosophy, art, and natural science. A huge influence is also exerted on the artistic and creative practice, which, with its figurative structures, reflected the feelings, experiences and interpretations of this historical period, as a period of crisis, disorder of the integrity of being, of the person himself, timid and contradictory stratification of his spiritual forces, breakdown of social relations.The turn of the ХІХ – ХХ centuries became a benchmark in the spiritual life of Western Europe for a significant break in entrenched ideas and forms developed in the process of developing social consciousness. And philosophy, artistic creativity are important components of the spiritual culture of society, and are a kind of barometer of the «trend» of fashion, which covers wide areas of the emotional and psychological factor of the spiritual life of society.
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