改写米佐河:继续叙述

Catherine Laldinpuii Fanai
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引用次数: 0

摘要

本文试图证明,改写的核心方面必须是一个持续的过程,以实现持续和稳定的自我和身份感。本文认为,就米佐身份的建构而言,各种因素继续影响着思想的形成,并将其置于米佐著名作家C.Lalnunchanga(生于1970年)的精选作品中。虽然历史上的米佐已经被“恢复”和“重写”到文学史的记录中,但通过历史重新获得中心已经不足以在一个仍然在一定程度上由殖民后遗症以及全球化和新殖民主义的霸权影响所决定的世界中建立身份。本文将提出,保持对中心的控制是抵抗这种现有霸权的关键,只有继续改写,在时间带来的变化中坚持以米佐为中心,才能实现这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-writing the Mizo: Continuing the Narrative
This paper attempts to establish that the central aspect of re-writing must be a continuous process in order to achieve a sustained and stable sense of self and identity. It shall argue that various factors continue to influence thought formation in terms of the construction of Mizo identity, and it shall situate the same while locating itself within select works of C.Lalnunchanga (born 1970), a Mizo writer of repute. Although the historical Mizo has been ‘recovered’ and ‘re-written’ into the records of literary history, reclaiming the centre through the historical is no longer sufficient to establish identity in a world which is still determined to a certain extent by colonial hangover as also by the hegemonic influences of globalization and neocolonialism. This paper will propose that maintaining the hold on the center is crucial to resistance against this existing hegemony and, that this can be achieved only when the rewriting continues, persistently centering the Mizo through the changes that time brings with it.
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