威尼斯公共图书馆和迷你图书馆

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引用次数: 0

摘要

在15世纪,威尼斯是印刷书籍生产的中心,照明继续应用于这种新型书籍,超过了手稿的时代。然而,今天保存在塞雷尼西马图书馆的彩绘古棺并不能代表价值生产的显著比例。众所周知,很少有印在羊皮纸上或带有微缩模型的标本进入了马西亚纳的收藏。然而,媒体的活动得到了贝萨里奥的支持,他把他那非凡的罗马神话作为他留给圣马可的遗产之一。1468年至1472年间出版的贝萨拉翁收藏的罗马手稿,其特征与他在生命的最后几年委托撰写的手稿完全相似。在后来的几个世纪里,主要是在18世纪和19世纪的镇压之后,进入图书馆的古典藏书是不同优先顺序的结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La Biblioteca pubblica veneziana e gli incunaboli miniati
Venice was central to the production of printed books in the 15th-century and illumination continued to be applied to this new type of books, beyond the age of the manuscript. However, the illuminated incunabula preserved today in the Library of the Serenissima do not represent a noticeable percentage of the production of value. As is known, very few specimens printed on parchment or with miniatures entered the Marciana collections. Yet, the activity of the press was favoured by Bessarion, who included his remarkable Roman incunabula among his legacy to San Marco. The Roman incunabula of the Bessarion collection, published between 1468 and 1472, have characteristics that are entirely similar to the manuscripts he had commissioned in the last years of his life. The incunabula that entered the library in the later centuries, chiefly following the suppressions of the eighteenth and nineteenth centuries, are the result of different priorities.
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