Gonca ÜNAL CHİANG
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摘要

中国思想家庄子(公元前369-286)是道家思想的重要代表,他通过轶事和故事来传达他的哲学思想。他对这一时期的文学以及“先秦”(公元前221年以前)的哲学思想都做出了重要贡献。《庄子》文本最显著的特点,也在中国文学发展史上发挥了重要作用;是反讽的技巧和讽刺的艺术在他的句子中脱颖而出,为故事增添了独创性。这位思想家以嘲讽的口吻,用讽刺的句子甚至严肃的命题来表达他对社会和人生的看法、人生观、对社会和政治的批评,给当时的传统文学风格带来了新的视角。讽刺艺术是《庄子》文学成功的重要组成部分,为《庄子》增添了艺术魅力。本文将通过轶事样本,从内容和技巧两个方面对讽刺艺术进行评价;它将试图介绍具有批判性的庄子风格,这种风格代代相传,即使在今天,也有助于有趣地阅读这些故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ZHUANGZİ HİCİVLERİNİN İÇERİK VE TEKNİK AÇIDAN İNCELENMESİ
The Chinese thinker Zhuangzi (369-286 BC), who is an important representative of Taoist thought, conveys his philosophy through anecdotes and stories. He made important contributions to the literary literature of the period, as well as to the philosophical thought that developed in the "Pre-Qin" (before 221 BC). The most striking feature of the Zhuangzi’s texts, which also played an influential role in the development history of literature in China; are the technique of irony and the art of satire that come to the fore in his sentences and add originality to the stories. The thinker brought a new perspective to the traditional literary style of the period by presenting his views on society and life, his philosophy of life, social and political criticisms with satirical sentences and even serious propositions in a mocking style. In this study, the art of satire, which constitutes an important part of the literary success of the Zhuangzi texts and adds artistic appeal to the texts, will be evaluated in terms of both content and technique through sample anecdotes; it will be tried to introduce the critical Zhuangzi style, which contributes to the reading of the stories with interest even today by being transmitted throughout the ages.
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