电影《尤尼》中父权制文化对女性身体的控制

Tania Zahirah Salwa, S. Dewi, Asfira Rachmad Rinata
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摘要

父权文化倾向于排斥女性,会产生各种社会问题,束缚女性的自由,限制女性应有的权利。这就是导致歧视妇女的原因,尤其是对妇女身体自主权的歧视。这种社会现实经常在媒体,尤其是电影中被提出。其中一部以女性生活在男权枷锁下为主题的电影是Yuni的电影。本研究的目的是运用Norman Fairclough的批判性话语分析的概念来确定Yuni电影中包含的父权文化对女性身体的掌握。诺曼认为,这部电影中的话语可以是文本分析、话语实践和社会文化实践。为了更深入地揭示男权文化在Yuni电影中对女性身体的掌控,本文采用了描述性定性和批判性话语分析的研究方式。研究结果表明,在Yuni的电影中,父权文化对女性身体的控制有三种形式,即(1)对性的控制,(2)对生殖的控制,(3)对运动空间的控制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Penguasaan Tubuh Perempuan Oleh Budaya Patriarki Dalam Film Yuni
Patriarchal culture tends to exclude women, can bring up various social problems that shackle women’s freedom and curb the rights that women should have. This is what causes discrimination against women, especially against women’s bodily autonomy. This social reality is often raised in a media, especially a film. One of the films with the theme of women living in patriarchal shackles is Yuni’s film. The purpose of this study is to determine the mastery of women’s bodies by the patriarchal culture contained in Yuni’s film using the concept of critical discourse analysis by Norman Fairclough. According to Norman, the discourse in this film can be in form of text analysis, discursive practice, and socio-cultural practice. The type of research used is descriptive qualitative with approach Critical Discourse Analysis (CDA) in order to reveal more deeply the mastery of women’s bodies by patriarchal culture in Yuni’s film. The results of this study reveal that there are three forms of mastery over women’s bodies by patriarchal culture in Yuni’s film, namely (1) control over sexuality, (2) control over reproduction, and (3) control over movement space.          
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