{"title":"巴黎幻梦成真","authors":"Kia Corthron","doi":"10.5149/northcarolina/9781469656007.003.0021","DOIUrl":null,"url":null,"abstract":"Paris! Why Paris? Why did I—or any African American artist or writer—go to Paris?\n When I was a teenager in the 1950s, African American artists (and writers, dancers, jazz musicians, actors) had already enjoyed a long relationship with Paris. Even before the end of slavery, free mulattos, some of them artists, were traveling to Paris and other parts of Europe. They went for many different reasons. One of the best known of those who went in the nineteenth century was the painter Henry O. Tanner....","PeriodicalId":145201,"journal":{"name":"The Essential Clarence Major","volume":"117 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Paris Fantasy Transformed\",\"authors\":\"Kia Corthron\",\"doi\":\"10.5149/northcarolina/9781469656007.003.0021\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Paris! Why Paris? Why did I—or any African American artist or writer—go to Paris?\\n When I was a teenager in the 1950s, African American artists (and writers, dancers, jazz musicians, actors) had already enjoyed a long relationship with Paris. Even before the end of slavery, free mulattos, some of them artists, were traveling to Paris and other parts of Europe. They went for many different reasons. One of the best known of those who went in the nineteenth century was the painter Henry O. Tanner....\",\"PeriodicalId\":145201,\"journal\":{\"name\":\"The Essential Clarence Major\",\"volume\":\"117 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Essential Clarence Major\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469656007.003.0021\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Essential Clarence Major","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469656007.003.0021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
巴黎!为什么巴黎?为什么我——或者任何非裔美国艺术家或作家——会去巴黎?20世纪50年代,当我还是个青少年的时候,非裔美国艺术家(以及作家、舞蹈家、爵士音乐家和演员)已经与巴黎建立了长期的关系。甚至在奴隶制结束之前,自由的黑白混血儿,其中一些是艺术家,就在巴黎和欧洲其他地方旅行。他们去有很多不同的原因。画家亨利·o·坦纳(Henry O. Tanner)是19世纪最著名的去那里的人之一....
Paris! Why Paris? Why did I—or any African American artist or writer—go to Paris?
When I was a teenager in the 1950s, African American artists (and writers, dancers, jazz musicians, actors) had already enjoyed a long relationship with Paris. Even before the end of slavery, free mulattos, some of them artists, were traveling to Paris and other parts of Europe. They went for many different reasons. One of the best known of those who went in the nineteenth century was the painter Henry O. Tanner....