{"title":"永恒的光河:记忆之水，奥特罗亚和Āniwaniwa","authors":"Charles Dawson","doi":"10.60162/swamphen.3.10604","DOIUrl":null,"url":null,"abstract":"This essay considers the major New Zealand installation artwork Āniwaniwa, by Māori New Zealand artists Brett Graham (Ngāti Koroki Kahukura) and Rachel Rakena (Ngāi Tahu, Ngā Puhi) The paper contextualises the installation around text about dams that inundate homeplaces, and refers briefly to the indigenous politics of water and memory in contemporary Aotearoa New Zealand. That Āniwaniwa received its most international exposure in a thirteenth-century salt warehouse at the 2007 Venice Biennale, where the viewer was invited to see the work whilst supine on the floors. It installation is testament to The artists’ innovation and calibre, as well as the evocative appeal of the work.","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Enduring rivers of light: waters of memory, Aotearoa & Āniwaniwa\",\"authors\":\"Charles Dawson\",\"doi\":\"10.60162/swamphen.3.10604\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay considers the major New Zealand installation artwork Āniwaniwa, by Māori New Zealand artists Brett Graham (Ngāti Koroki Kahukura) and Rachel Rakena (Ngāi Tahu, Ngā Puhi) The paper contextualises the installation around text about dams that inundate homeplaces, and refers briefly to the indigenous politics of water and memory in contemporary Aotearoa New Zealand. That Āniwaniwa received its most international exposure in a thirteenth-century salt warehouse at the 2007 Venice Biennale, where the viewer was invited to see the work whilst supine on the floors. It installation is testament to The artists’ innovation and calibre, as well as the evocative appeal of the work.\",\"PeriodicalId\":197436,\"journal\":{\"name\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-11-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.60162/swamphen.3.10604\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.60162/swamphen.3.10604","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文考虑了主要的新西兰装置艺术作品Āniwaniwa，由Māori新西兰艺术家Brett Graham (Ngāti Koroki Kahukura)和Rachel Rakena (Ngāi Tahu, ngi Puhi)。本文将围绕淹没家园的水坝的文本的装置置于背景中，并简要地提到了当代新西兰Aotearoa的水和记忆的土著政治。在2007年威尼斯双年展上，这个Āniwaniwa在一个13世纪的盐仓库里得到了最广泛的国际曝光，在那里，观众被邀请躺在地板上看作品。它的装置证明了艺术家的创新和能力，以及作品的唤起性吸引力。
Enduring rivers of light: waters of memory, Aotearoa & Āniwaniwa
This essay considers the major New Zealand installation artwork Āniwaniwa, by Māori New Zealand artists Brett Graham (Ngāti Koroki Kahukura) and Rachel Rakena (Ngāi Tahu, Ngā Puhi) The paper contextualises the installation around text about dams that inundate homeplaces, and refers briefly to the indigenous politics of water and memory in contemporary Aotearoa New Zealand. That Āniwaniwa received its most international exposure in a thirteenth-century salt warehouse at the 2007 Venice Biennale, where the viewer was invited to see the work whilst supine on the floors. It installation is testament to The artists’ innovation and calibre, as well as the evocative appeal of the work.
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