一个政治正确的笑话:神话还是现实?(单口喜剧的结构分析)

E. Kosichenko, G. Popova
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引用次数: 0

摘要

本文通过对英国著名喜剧演员吉米·卡尔的单口喜剧的结构分析,说明政治正确对幽默话语几乎没有影响。这项研究是相关的,因为它有助于进一步研究语言哲学、语言文化和话语对政治正确性的研究,根据作者的说法,政治正确性与人类以二元思维的自然倾向相矛盾。作者强调幽默是建立在自我/他者二元对立的基础上的,他们质疑一个成功的笑话在政治上是否正确。文章的理论部分强调了在不同时期对政治正确的演变和传播做出贡献的一些事件,从人们与世界的互动及其在幽默话语中的表现方面考虑了自我/他者模型。结构分析、话语分析和内容分析的方法揭示了当代幽默话语中自我/他者对立表现的语言手段,并确定了幽默话语中的若干要素。分析结果表明,政治正确的日益增长的趋势在一定程度上影响了幽默的主题方面,然而,他们有理由假设,人类对这类笑话的渴望将逐渐扭转目前日益增长的趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Politically Correct Joke: Myth or Reality? (Structural Analysis of a Stand-up Comedy Show)
The article describes the results of structural analysis of a stand-up comedy by the famous British comedian Jimmy Karr to show that political correctness has hardly affected humourous discourse. The study is relevant as it contributes to further linguopholosophic, linguocultural and discursive investigations into political correctness that, according to the authors, contradicts the natural tendency of humans to think in binaries. Stressing that the humorous is based on the binary opposition of Self/Other, the authors question the very chance for a successful joke to be poli tically correct. The theoretical part of the article highlights a number of events that at different times contributed to the evolvement and spread of political correctness, considers the model Self/Other in terms of people’s interaction with the world and with regard to its manifestation in humorous discourse. The methods of structural, discourse and content analysis serve to reveal the linguistic means of representing the opposition Self/Other in contemporary humorous discourse and to identify a number of its elements. The results of analysis show that the growing tendency for political correctness has to some extent affected the thematic aspect of the humorous, however, they give ground to hypothesize that human desire for this kind of jokes will gradually reverse the currently increasing tendency.
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